



***"I was so sad the day I met you, I can't remember why".*** This is the most horror film as its gets. Trust me out, you should prepared. The story would be entirely different if Jude filled his body with tattoos like Leonard did in Memento lmao. Foreshadowed from the opening, that first seem warm feeling, ends-up haunting and lingering through my head, in each minutes knowing something frightening coming, and hoping some lighten the outcome, drawn the light not the heat. This is what if covid being a harrowing nightmare, instead killing virus, it becomes memory loss virus like dementia or alzheimer, erasing everything, everyone even the ones you love. Jude and Emma, casted by Jack O'connell and Olivia Cooke, their chemistry experiments a flawless love that nothin could interuptting their love, even this NIA virus. As citated in Imdb Olivia Cooke said this characters Emma is the closest artificial person that have similar personal with her. It is felt fluid, their gaze, conversation, cuddling and even selfie feels so alive. Metaphoring with the little fish analogy, it setting the poetic essentials even more. And not to forget the implicit/subtle sex scene, that's not obscene at all, but felt very importants, as the screen splitting, from one to two, two to four the more heartwhelming it becames, touches the true intimate feeling. Aquarium date, leica camera, boring parties, forgotten music, carpool karaoke, and cozy forest cabin. Are what stands-out atmospheric of the film to me. I rate this film 98/100. Song i attach that match the vibe with the film: [Godspeed - Frank Ocean](https://youtu.be/P18g4rKns6Q?si=uBC93qf7DLtV5sa6).

***"I didn't do anything. I'm a nice man. I mind my own business. So you tell me 'that's that' before I beat the hell from you. I have so much strength in me you have no idea. I have a love in my life. It makes me stronger than anything you can imagine. I would say 'that's that', Mattress Man".*** This is my second entry film to the Paul Thomas Anderson filmography. After One Battle After Another(peak), yet Punch-Drunk Love is as peak as OBAA within 2 decades of year publishing, it's crazy. It's not massive as it is, but the emotion exploration in this film, with Adam Sandler as Barry Egan, don't even try underestimate. The romance, the unexpected love and obsession, is the stands-out in its unique. Hawaii air, choco pudding, blue suit, broken phone, and band aid on knuckle. Are the atmospheric that defines this film. And believe me this film are not less chaos than Uncut Gems, and actually it's even more redempting in the end rather than Uncut Gems who purposely bleak on ending, and yea im not saying it was bad, but Punch-Drunk-Love had it's bleak in the right portion, with Barry Egan, the innocent man, hides insecurities and trauma behind, and again explodes as its peak, uncontrolly. And yes Adam Sandler only wears same suit for this 95 minutes, yes it is blue suit, suit that he excuses he have exclusive meeting with somebody, and it catches his personality really. Blue Indigo, may be his color of heart. If my love story do not look like this then i don't want it. With someone who really care, intrested, and truly love, Barry Egan finnaly open his heart and healed his wounds with this girl named Lena Leonard, performed by Emily Watson which i really adore. Not forget to mention Philip Seymour Hoffman as Dean Trumbell, the matress man, the guardian of phone sex slut. Oh man, the truly reason only reason why i chose this for second watch in PTA's filmo actually there's Philip Seymour Hoffman and Adam Sandler in which they really baddass asf, that matress store scene man, they really need to makes this nemesis again. Not to forget the hawaii scene though, that's really called relieve. I rated this one good 97/100. Song i attach that match the vibe with the film : [Loves Takes Miles - Cameron Winter](https://youtu.be/U4UFAejSQFA?si=vPTJxaODHojnSCeY).