Célène

Well, after the first one, I was expecting to find more or less the same, not so interesting, production. But it was so goood! The movement and colors felt tripoy and magnetizing, and it was an intense a real sensory journey. Like if Enter the Void had an avant-garde abstract brother.

This time, the shapes felt way more organic, almost alive.

Franchement la romance était peu intéressante, crédible et sans alchimie. Ça avait du potentiel imo (surtout que normalement j’adore ces thématiques)