Chris Wickline

Very interesting work with over and under exposure. Doesn’t totally work all the time but cool thing to try. Iffy VFX, but it was 2000.

I’m so sick and fuckin tired of hearing about god.  The ending would’ve made a lot more sense if that didn’t happen every Tuesday.  I absolutely loved the camera movement. It was kinetic and imprecise in a good way. Felt human. There were some noir-ish lighting set up’s that I really enjoyed as well. Josh O’Connor was solid, Emily Blunt was incredible. Wyatt Russel’s tattoos hardcore took me out of it. Uhhhhhh he’s a musician right? Put the record and a guitar on his arm, idk

Good. Funny