Mickey 17

Bong Joonho's works have always been humanist, and this film is very humane in a dark humor. Social class. It's all about politics. Mickey Barnes and his prints are a kind of human representation of themselves; their egos, personas. Some are stupid, fickle, clumsy, even psychotic one. But in the end, we are just humans who've always had fear of facing death. I agreed with Kai, just split Mickey in two, no need to be greedy, right, Nasha? Why does Kai look so innocent, firm, and fragile at the same time? Liked her better, but Mickey's drowning in Nasha. and wew, god damn, Robert Pattinson's close ups look flawlessly charming even with the scarface Mickey 18 sacrifice scene! ;_;