Kayleen

LUPA TERAKHIR KALI HAD THIS MUCH FUN NONTON SERIES dari horror, gore, dan jumpscarenya oke banget, mungkin emang lebih gore dari series horror korea pada biasanya, tapi they wrapped it perfectly with a heavy touch of SHAMANISM which i LOVEEEEE, this is exactly my type of series so far the only thing that annoys me is se ah and geonwoo’s bubbly cutesy relationship, tbh it adds more dimension to the overall series, but i guess it’s just a me problem oh and did i forget to mention that i kinda like na ri? i’m aware that makes me a bitch but go off i guess

the what could've been what would've happen if she opens the last page of that book while he was standing in front of her door? what would've happen if she didn't open his yearbook photo? i simply ask myself those questions, hoping that the answer could give those girls less pain than what they felt in this film, *but what if that really is the true trajectory of grieve?* what if the only way for these girls to continue their living their lives was walking through this cold snowy road? and maybe we will never get the answer to how we should respond to grieve, maybe love should never be kept away, ever. with this, *we truly understand that grieve is nothing but love with nowhere to go*

IRONICALLY felt this in my bones, which is funny considering my mom's the only one with the batak ethnicity in my immediate family, but growing up being closer to my mom's side of the family really helped me grasp the context of this film better first of all fuck the patriarchy, fuck you bapak domu, fuck you domu, fuck you gabe, and lastly fuck you sahat i couldn't help but to find so much fucking painful similarity between sarma and my mom, i cried tornados for my mom, feeling sorry for her to have to grow up putting EVERYONE first but herself, i despise that even until now she struggles to enjoy having free time for herself and not feeling guilty for taking a break i really hope sarma got the freedom she yearns, i really hope she can live happily without thinking of others for once, and prioritize herself, i hope the same things too for my mom i love you mom

the ONLY good thing abt this film is this dialogue *"the right person at the wrong time is actually the wrong person."* BENERAN DEFINISI dua orang buruk ketemu di waktu yang SALAH, satu gak punya boundaries and gabisa move on for the love of god, yang satu juga malah ikut stringing along, bener-bener ye lu berdua when guy sent that picture i believe it was the most honorable thing he had done in this whole film (LU BAYANGIN AJA jadi selingkuhan orang terus pas pulang liat kakak lu jadi korban selingkuh, justru kalo dia diem aja dia yang SAKIT JIWA) dan endingnya lebih biking "HAH" lagi, udah dua orang itu ketemu lagi, gak ada character development, dan they didn't learned anything PULAK, still repeating the same fuckass pattern, kacau bang