Henry Gravlee

Absolutely beautiful, and surprisingly funny. I think this is what I kept hoping Barry Lyndon would be, but wasn't. This qualifies as a new comfort movie, and such a unique one. It's unfortunate there's no deeper meaning for me. P.S. That scene when Jeff Goldblum is walking through the museum...might be the most visually aesthetic scenes in all of cinema.

Not as good as the first watch

I think the whole concept of the backrooms is the most fascinating and engaging concept I've ever come across on screen. I think at its deepest level, it represents what hell will actually be like. Hell isn't a fiery pit, it's life without God. Like the backrooms, the devil copies what is good about God and makes it bad. The backrooms is the physical manifestation of what the devil does every day, so maybe that means the backrooms really is hell. It doesn't seem bad when you look at it, it's captivating. But so is satan. I am utterly astounded by the masterful creation of Kane Parsons, and whether intentional or not, he has established the best representation of hell that I have ever seen.  I hope to take advantage of this style of storytelling one day.

The last 30 minutes had me all excited like a little kid