GrindhouseGooner

A dazzling date with three losers. Araki paints this picture with so much flair and flamboyance that you're glued to the screens, unbothered with plot or meaning. Rose McGowan is an absolute diva and Amy Blue will go down as one the most quotable chatacters in cinema history. A titilating hypnotic sanguine-soaked dream turns into a blood-curdling nightmare. The ending is unforgettable, unfortunately. Brilliant, beautiful, beguiling.

A sweaty, grimy, propulsive thriller. Loved how they returned to the same scene with multiple perspectives. Very Tarantinoesque, I don't like that word, but it is what it is. A white-knuckle, rompy, sleazy, combustible cat-and-mouse fun. Solid entertainer. ***"Ma'am, not cool calling me a nazi. You don't know my struggle" ***

A poignant portrait of what it means to be a filmmaker. The camera is a weapon and you could generate empathy or ridicule depending on how you use it. Kieslowski explores obsession and the lasting effects it could have on your life. Tender, intimate, and incivisive. A masterful work. ***"What are you shooting?" "Anything that moves." ***

Preposterous, piercing, wild, wacky, delirious, sensual, electric and oddly comforting. Lip-smackingly razzle-dazzle piece of cinema. I NEEEEED THOSE SCRATCH N SNIFF CARDS 😭