Laurence Skinner

undestated and important but seemingly lacking. a film about a man who uses the lens to show his love but i can’t seem to love it myself. compared to something like navalny, lacks poignancy and an understanding of the power of the medium.

perhaps not the usual nuance and revelation typical of a theroux documentary. touched something with a lot of exciting potential when with the two fans and on the antisemitism but it falls short of some of louis’ other work. hazard to say that the louis approach to these figures, those whose entire lives are devoted to self-presentation, is too light.

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