Lawsen Swick

*Guardians of the Galaxy* makes a great introduction to a beloved group. Chris Pratt takes a unique and more humorous approach to Star-Lord which only adds to the organic chemistry we see amongst the cast. Also in his MCU debut, James Gunn hits hard on the 80s nostalgia with a soundtrack that enriches every nook and cranny of the movie. Where *GotG* really shines is in its slower moments where the music, character connections, and color-rich visuals demand our attention.

*The Winter Soldier* stands strong, especially against the weaker start to Phase 2. Each scene feels Kojima-esque in its feelings of espionage, action, and politics which are only amplified by Henry Jackman’s score. Making their MCU debut, the Russo brothers find the sweet spot in maintaining a tight character driven story while introducing some franchise favorites in Falcon and the Winter Soldier. There’s an argument that this sits as the pinnacle of MCU films even against the likes of *Infinity War*.

Ending a trilogy on a strong note is never an easy feat, especially when the second film is as lackluster as *Iron Man 2*. Shane Black not only wrapped up a trilogy incredibly well, but did so following the epic that was the avengers movie. He uses a complex balance of humour while also delivering the darkest story we've seen so far in the MCU timeline. *Iron Man 3* is a deeply personal narrative through Tony's perspective. He opens up about his struggles with anxiety, panic attacks, and insomnia stemming from the battle in New York City. Fighting alongside a god, fending off an alien invasion, and sending a nuclear bomb through a wormhole is understandably trauma inducing. As a result, Tony burries himself in his work, avoiding the demons in his head. What grows behind the scenes, however, provides twists well beyond the events of this finale.

A visual beauty that’s receives far too much criticism, *Thor: The Dark World* deserves the appreciation for what it is — a sequel that eclipses its predecessor. A nice script that allows for great performances once again from Hemsworth and Hiddleston. We’re shown the rivalry and strong relationship brothers Thor and Loki have. For characters with such complex origins, it makes a lot of sense that we see their true development in their third film appearance. *The Dark World* also has a much clearer direction and plot than it's given credit for. We're given a strong villain in Malekith and perhaps, knowing how significant his actions are paired with the impact of the Aether in Phases 3 and 4, does give a deeper appreciation in hindsight. I strongly encourage that if you find yourself on the negative side of reviews, give it another chance! This is truly a wonderful start to Phase 2.