Grim

junji ito vibes, kurosawa vibes, and it also gives an example of the consequences of televangelism - these are just vibes i got off this short because ito is japanese and so i don't think televangelism is relevant to his cinema but it can definitely feel that way because of the superposition of ghostly figures and a flickering, ominous tv screen! Could also be just an exploration of disembodied existence in an increasingly technological and virtual world there's ghosts and a cameo of a cat and a masterful use of space, of the off-camera space, of light and of editing ! he's truly in a league of his own