True to their name, Slave to Sirens — the first and only all-woman thrash metal band in the Middle East — are utterly magnetic. Amid a backdrop of political unrest and the heartbreaking unraveling of Beirut, five bandmates form a beacon of expression, resistance, and independence. Director Rita Baghdadi follows founders and guitarists Lilas Mayassi and Shery Bechara as their tenderness, and sometimes bitterness, for one another grows in ways both unexpected and deeply moving. Joined by vocalist Maya Khairallah, bassist Alma Doumani, and drummer Tatyana Boughaba, these women negotiate their emotional journeys through young adulthood in tumultuous circumstances with grace, raw passion, and a ferocious commitment to their art. Their grit is tested as they grapple with the complexities of friendship, sexuality, and the destruction around them.

It follows the resistance to modernization in rural Mexico. It is a reminder that it is still possible to live in tune with our essence as human beings.

With unprecedented, intimate access to the private life of Courtney Barnett, this innovative and stylised 16mm feature documentary follows a paradoxically introverted performer and anti-influencer, who, at the height of success, is ready to walk away. Long-time collaborator Danny Cohen’s feature documentary reveals a woman who finds power in sharing her vulnerability. Recording her innermost thoughts on a Dictaphone over a period of three years, Courtney begins her slow acceptance of Danny Cohen’s camera. This unique filming process mirrors Courtney’s gradual search for purpose and emergence as an artist embracing her place in the world.

A modern-day Walt Disney, Will Vinton picked up a ball of clay and saw a world of potential. Known as the “Father of Claymation,” Vinton revolutionized the animation business during the 80s and 90s. But after 30 years of being the unheralded king of clay, Will Vinton’s carefully sculpted American dream came crumbling down. Structured around interviews with this charismatic pioneer and his close collaborators, the film charts the rise and fall of the Academy Award and Emmy winning Will Vinton Studios.

Lennon exists timidly on the sidelines of the thriving Columbus, Ohio indie music scene, yearning for a personal connection that might shepherd her into the inner sanctum of warehouse concerts, exclusive backstage, house parties, and the cutting-edge art scene. As she fuels her desire for entrée into a podcast featuring live music and conversations with the artists she so fervently admires, Lennon finds inspiration for her own musical ambitions…and a growing sense of misdirected identity. Enter Bobbi Kitten, an enigmatic, striking, and talented half of a popular, indie-pop duo, who takes Lennon under her confident wing—unwittingly entangling herself in a dark obsession.

In a remote village in Costa Rica, 40-year-old Clara endures a repressively religious and withdrawn life under the command of her mother. Her uncanny affinity for creatures large and small allows Clara to find solace in the natural world around her. Tension builds within the family as Clara’s younger niece approaches her quinceañera, igniting a sexual and mystical awakening in Clara, and a journey to free herself from the conventions that have dominated her life.

Luciano is a wandering outcast in a remote, late 19th-century Italian village. His life becomes undone by alcohol, forbidden love, and a bitter conflict with the prince of the region over the right of passage through an ancient gateway. When the quarrel escalates, Luciano is exiled to the distant Argentine province of Tierra del Fuego where, with the help of ruthless gold-diggers, he searches for a mythical treasure, paving his way toward redemption. However, in these barren lands, only greed and insanity can prevail.

High up on the Tibetan plateau. Amongst unexplored and inaccessible valleys lies one of the last sanctuaries of the wild world, where rare and undiscovered fauna lives. Vincent Munier, one of the world's most renowned wildlife photographers takes the adventurer and novelist Sylvain Tesson (In the Forest of Siberia) with him on his latest mission. For several weeks, they'll explore these valleys searching for unique animals and try to spot the snow leopard, one of the rarest and most difficult big cats to approach.

Prim and proper Maria Barbizan unceremoniously walks away from her boring job, her inept husband, and her obnoxious daughter. Moments later, she is swept up in a bizarre contest alongside a handful of idiosyncratic characters, all competing for the chance to win true enlightenment… and one slightly used habanero-orange compact sport utility vehicle.

What happens if you call the Department of Justice to report an incident of violence? Who picks up the phone? DEPARTMENT OF INJUSTICE, from filmmakers Travis Wood and Chloe Gbai, fictionalizes that premise with a comment on the state of justice and accountability regarding police violence in America, in the wake of George Floyd’s death.

Inspired by true experiences of grief, girlhood, and growing up, Jessie Barr’s directorial debut SOPHIE JONES provides a stirring portrait of a sixteen year old. Stunned by the untimely death of her mother and struggling with the myriad challenges of teendom, Sophie (played with striking immediacy by the director’s cousin Jessica Barr) tries everything she can to feel something again, while holding herself together, in this sensitive, acutely realized, and utterly relatable coming-of-age story.

American jazz musician Billy Tipton developed a reputable touring and recording career in the mid-twentieth century, along with his band The Billy Tipton Trio. After his death in the late 80s, it was revealed that Tipton was assigned female at birth, and his life was swiftly reframed as the story of an ambitious woman passing as a man in pursuit of a music career. The genre-defying documentary NO ORDINARY MAN seeks to correct that misrepresentation by collaborating with trans artists. As they collectively celebrate Tipton’s story as a musician living his life according to his own terms, they paint a portrait of a trans culture icon.

Set to the propulsions of an original soundtrack composed by Serj, his critically acclaimed solo work, as well as the iconic music of System Of A Down, TRUTH TO POWER is also an artist portrait with a revealing look at the musician as he writes music—from inception to recording—and pursues ambitions outside of the band. It includes memories from legendary producer Rick Rubin on System Of A Down’s early years and its unlikely breakthrough, the bandmates’ candid insights about the splinters and highpoints for the group, and stories from Rage Against the Machine’s Tom Morello on his bond with Serj as social justice advocates and their “Axis of Justice” nonprofit.

To the tight-knit community of Sainte-Adeline, Quebec, Magalie appears as a normal suburban high school sophomore surrounded by friends. But this popular teenage girl is harboring a shocking secret: she’s pregnant. When Magalie refuses to identify the father, suspicions among the townsfolk come to a boiling point and the layers of a carefully maintained social varnish eventually crack.

Half a century into their marriage, Chicago artists Jackie and Don Seiden approach the fragility of their elderly lives in their own distinct ways. Jackie, notorious for her unbound energy, is constantly on the move, inspired to create works of art while also maintaining the couple’s multistory, eccentric Victorian house. Don steadily sketches in his notebook while facing alarming interruptions to his health. Filmmaker Daniel Hymanson immersed himself with the Seidens, on-and-off for five years, capturing the hardships of aging as well as a view into enduring companionship, in this charming character study.

One of the most revolutionary and influential fashion designers of his time, Martin Margiela has remained an elusive figure the entirety of his decades-long career. From Jean Paul Gaultier’s assistant to creative director at Hermès to leading his own House, Margiela never showed his face publicly and avoided interviews, but reinvented fashion with his radical style through forty-one provocative collections. Now, for the first time, the “Banksy of fashion” reveals his drawings, notes, and personal items in this exclusive, intimate profile of his vision.

Disaster strikes in a small American farm town when a teenage boy becomes the victim of a grain entrapment. As corn becomes quicksand inside of a 50-foot silo, the town locals must put aside their deeply rooted differences to save him from drowning in the grain they harvest.

A bizarre retro comedy shot entirely on VHS, VHYes takes us back to a simpler time, when twelve-year-old Ralph mistakenly records home videos and his favorite late night shows over his parents’ wedding tape. The result is a nostalgic wave of home shopping clips, censored pornography, and nefarious true-crime tales that threaten to unkindly rewind Ralph’s reality.

Toronto, 1899. Aspiring young politician Mackenzie King (Dan Beirne) dreams of becoming the Prime Minister of Canada. But his romantic vacillation between a British soldier and a French nurse, exacerbated by a fetishistic obsession, may well bring about his downfall. In his quest for power, King must gratify the expectations of his imperious Mother, the hawkish fantasies of a war-mongering Governor-General, and the utopian idealism of a Québécois mystic before facing one, final test of leadership. Culminating in an epic battle between good and evil, King learns that disappointment may be the defining characteristic of the twentieth century!

Reeling from a one-sided breakup, anguished Karen (Otmara Marrero) flees Los Angeles for her ex’s idyllic lake house in the Pacific Northwest. There, she becomes entangled with a mysterious, alluring younger woman (Sydney Sweeney), whom she cannot seem to resist. Equal parts psychological thriller and sexual coming-of-age story, CLEMENTINE is a tense rumination on who to love and how to let go.

Shannon Hoon, lead singer of the rock band Blind Melon, filmed himself from 1990-95 with a Hi8 video camera, recording up until a few hours before his sudden death at the age of 28. His camera was a diary and his closest confidant. In the hundreds of hours of footage, Hoon meticulously documented his life – his family, his creative process, his television, his band’s rise to fame and his struggle with addiction. He filmed his daughter’s birth, and archived the politics and culture of the 90’s, an era right before the internet changed the world. Created with his own footage, voice and music, this intimate autobiography is a prescient exploration of experience and memory in the age of video. It is also Shannon Hoon’s last work, completed 23 years after his death.

Flailing thirty-four-year-old Bridget (Kelly O’Sullivan) finally catches a break when she meets a nice guy and lands a much-needed job nannying six-year-old Frances (played by a scene-stealing Ramona Edith-Williams). But an unwanted pregnancy introduces an unexpected complication. To make matters worse, she clashes with the obstinate Frances and struggles to navigate a growing tension between Frances’s moms. Amidst her tempestuous personal relationships, a reluctant friendship with Frances emerges, and Bridget contends with the inevitable joys and shit-shows of becoming a part of someone else’s family.

When four young orphans—Hikari, Ikuko, Ishi, and Takemura—first meet, their parents’ bodies are being turned into dust, like fine Parmesan atop a plate of spaghetti Bolognese, and yet none of them can shed a tear. They are like zombies; devoid of all emotion. With no family, no future, no dreams, and no way to move forward, the young teens decide that the first level of this new existence involves salvaging a gaming console, an old electric bass, and a charred wok from their former homes—just enough to start a band…and then conquer the world. Tragedy, comedy, music, social criticism, and teenage angst are all subsumed in this eccentric cinematic tsunami.

When the Taliban puts a bounty on Afghan director Hassan Fazili’s head, he is forced to flee the country with his wife and two young daughters. Capturing the family’s journey firsthand, Fazili documents their harrowing trek across numerous borders revealing the danger and uncertainty facing refugees seeking asylum juxtaposed with the unbreakable love shared amongst the family on the run.

In the dark karaoke rooms of Los Angeles’s Koreatown, Kasie works as a doumi girl, a young hostess paid to cater to rich businessmen. As she struggles to hide her troubles through soju-and-MDMA-fueled nights, her mind is focused on one thing: earning enough tips to continue providing for her bedridden father. When her father’s caretaker unexpectedly quits, Kasie seeks help from her estranged brother, and the siblings are forced to reconnect and reconcile their years long separation.

THE INFILTRATORS is a docu-thriller that tells the true story of young immigrants who are detained by Border Patrol and thrown into a shadowy for-profit detention center—on purpose. Marco and Viri are members of the National Immigrant Youth Alliance, a group of radical DREAMers who are on a mission to stop unjust deportations. And the best place to stop deportations, they believe, is in detention. However, when Marco and Viri attempt a daring reverse ‘prison break,’ things don’t go according to plan. By weaving together documentary footage of the real infiltrators with re-enactments of the events inside the detention center, THE INFILTRATORS tells an incredible and thrilling true story in a genre-defying new cinematic language.

Growing up in a loving home with their parents, brothers Peter and Matthew are crazy about each other—but also constantly at each other’s throats. Displaying their individual idiosyncrasies—Peter is obsessed with the TV show Survivor, while younger brother Matthew struggles to overcome his intense fear of dogs—Ben Mullinkosson’s revealing and endearing film DON’T BE A DICK ABOUT IT is an affectionate portrait of brotherly love and family life in America.

JAY MYSELF documents the monumental move of renowned photographer and artist, Jay Maisel, who, in February 2015 after forty-eight years, begrudgingly sold his home—the 36,000 square-foot, 100-year-old landmark building in Manhattan known simply as “The Bank.” Through the intimate lens of filmmaker and Jay’s protégé, noted artist and photographer Stephen Wilkes, the viewer is taken on a remarkable journey through Jay’s life as an artist, mentor, and man; a man grappling with time, life, change, and the end of an era in New York City.

On the 100th anniversary of his birth, internationally renowned director Margarethe von Trotta examines Ingmar Bergman’s life and work with a circle of his closest collaborators as well as a new generation of filmmakers. This documentary presents key components of his legacy, as it retraces themes that recurred in his life and art and takes us to the places that were central to Bergman’s creative achievements.

Stunningly shot and deeply resonant, L’ATTESA heralds the arrival of a talented new voice. With Sicily as his backdrop, Piero Messina (assistant director on Paolo Sorrentino’s THE GREAT BEAUTY) navigates a range of emotions in telling the strange, irresistible story of the relationship between two women from different generations. Academy Award®-winner Juliette Binoche stars as Anna, who is meeting her son Giuseppe’s French girlfriend, Jeanne (Lou de Laâge), in the lead up to Easter festivities. Young and enchanting, Jeanne arrived with excitement before Giuseppe, whose continued delays and lack of presence cast a dark, mysterious shadow over the household. Why is Giuseppe not here and when will he appear? As Anna and Jeanne wait, they grow closer than either imagined they would, despite the secrets they’re harboring from one another.

Known as “the artist among architects,” Luis Barragán is among the world’s most celebrated architects of the 20th century. Upon his death in 1988, much of his work was locked away in a Swiss bunker, hidden from the world’s view. In an attempt to resurrect Barragán’s life and art, boundary redefining artist Jill Magid creates a daring proposition that becomes a fascinating artwork in itself—a high-wire act of negotiation that explores how far an artist will go to democratize access to art.

Wrestle is an intimate and nuanced documentary that follows the wrestling team at J.O. Johnson High School in Huntsville, which has been on Alabama's failing schools list for many years. As they fight their way towards the State Championship and the doors they hope it will open, wrestlers Jailen, Jamario, Teague, and Jaquan each face injustices and challenges on and off the mat.

Doom and gloom are on the way. The Y2K apocalypse can't be stopped. Abbie's older brother issues him the ultimate challenge before it goes down: beat the infamous level 256 in Pac-Man and no getting up from the couch until he does so. Abbie’s survival story begins here; inside a rotting living room with no food or water, and a revolving door of numb-nut friends and acquaintances. It’s THE EXTERMINATING ANGEL by way of SLACKER.

Just out of high school, at the age of 18, Miles Lagoze enlisted in the Marine Corps. He was deployed to Afghanistan where he served as Combat Camera — his unit's official videographer, tasked with shooting and editing footage for the Corps’ recruiting purposes and historical initiatives. But upon discharging, Lagoze took all the footage he and his fellow cameramen shot, and he assembled quite simply the very documentary the Corps does not want you to see. COMBAT OBSCURA is a groundbreaking look at daily life in a war zone as told by the Marines themselves. More than a mere compilation of violence, the edit ingeniously repurposes the original footage to reveal the intensity and paradoxes of an ambiguous war from an unvarnished perspective.

Written and directed by Faraut and narrated by Mathieu Amalric, JOHN MCENROE: IN THE REALM OF PERFECTION revisits the rich bounty of 16-mm-shot footage of the left-handed tennis star John McEnroe, at the time the world’s top-ranked player, as he competes in the French Open at Paris’s Roland Garros Stadium in 1984. Close-ups and slow motion sequences of McEnroe competing, as well as instances of his notorious temper tantrums, highlight a ”man who played on the edge of his senses.” Far from a traditional documentary, Faraut probes the archival film to unpack both McEnroe’s attention to the sport and the footage itself, creating a lively and immersive look at a driven athlete, a study on the sport of tennis and the human body and movement, and finally how these all intersect with cinema itself.

Madeline got the part! She’s going to play the lead in a theater piece! Except the lead wears sweatpants like Madeline’s. And has a cat like Madeline’s. And is holding a steaming hot iron next to her mother’s face – like Madeline is. Madeline (newcomer Helena Howard) has become an integral part of a prestigious physical theater troupe. When the workshop's ambitious director (Molly Parker) pushes the teenager to weave her rich interior world and troubled history with her mother (Miranda July) into their collective art, the lines between performance and reality begin to blur. The resulting battle between imagination and appropriation rips out of the rehearsal space and through all three women’s lives.

Although Hal Ashby directed a remarkable string of acclaimed, widely admired classics throughout the 1970s—HAROLD AND MAUDE, THE LAST DETAIL, SHAMPOO, COMING HOME, BEING THERE—he is often overlooked amid the crowd of luminaries from his generation. Amy Scott’s exuberant portrait explores that curious oversight, using rare archival materials, interviews, personal letters, and audio recordings to reveal a passionate, obsessive artist. Ashby was a Hollywood director who constantly clashed with Hollywood, but also a unique soul with an unprecedented insight into the human condition and an unmatched capacity for good. His films were an elusive blend of honesty, irreverence, humor, and humanity. Through the heartrending and inspiring HAL, you feel buoyed by Ashby’s love of people and of cinema, a little like walking on water.

Twenty-three-year-old Nadia Murad’s life is a dizzying array of exhausting undertakings—from giving testimony before the U.N. to visiting refugee camps to soul-bearing media interviews and one-on-one meetings with top government officials. With deep compassion and a formal precision and elegance that matches Nadia’s calm and steely demeanor, filmmaker Alexandria Bombach follows this strong-willed young woman, who survived the 2014 genocide of the Yazidis in Northern Iraq and escaped the hands of ISIS to become a relentless beacon of hope for her people, even when at times she longs to lay aside this monumental burden and simply have an ordinary life

In a single, fully-stocked hotel room on the night of the 2016 general election, two Trump supporters celebrate the unexpected results, in the latest from indie provocateur Onur Tukel. As the night rages on, an ensemble of characters venture in and out of the room. Some match the two’s enthusiasm while others voice their terror at the prospect of the incoming President, but most struggle to find reasons to care less about the results causing the debauched celebration around them. Led by Dylan Baker’s gleefully deranged performance, Tukel’s tongue-in-cheek exploration of a divided America digs deep into the night’s mass existential crisis and uncovers some disquieting truths.

SOLLERS POINT tells the story of Keith (Lombardi), a twenty-four-year-old newly released from prison and living with his father (Belushi) under house arrest in Baltimore. Keith is struggling to reestablish himself, and break free of the bonds forged behind bars, within a community scarred by unemployment, neglect, and deeply entrenched segregation. His intentions are in the right place and he possesses an aggressive desire to get back on his feet, but as he taps into all his familiar resources, he finds that he may be reverting to his old ways.

Forty years after the death of Elvis Presley, two-time Sundance Grand Jury winner Eugene Jarecki’s new film takes the King’s 1963 Rolls-Royce on a musical road trip across America. From Memphis to New York, Las Vegas, and beyond, the journey traces the rise and fall of Elvis as a metaphor for the country he left behind. In this groundbreaking film, Jarecki paints a visionary portrait of the state of the American Dream and a penetrating look at how the hell we got here. A diverse cast of Americans, both famous and non, join the journey, including Alec Baldwin, Rosanne Cash, Chuck D, Emmylou Harris, Ethan Hawke, Van Jones, Mike Myers, and Dan Rather, among many others.

When Mariam, a young Tunisian woman, is raped by police officers after leaving a party, she is propelled into a harrowing night in which she must fight for her rights even though justice lies on the side of her tormentors. Employing impressive cinematic techniques and anchored by a tour-de-force performance from newcomer Mariam Al Ferjani, Kaouther Ben Hania's BEAUTY AND THE DOGS tells an urgent, unapologetic, and important story head-on. A rare, startling film from a female Tunisian director, it’s a striking critique on a repressive society and a forcefully feminist rallying cry.

After a decade of stardom in Israel, American dancer Bobbi Jene decides to leave behind her prominent position at the world-famous Batsheva Dance Company, as well as the love of her life, to return to the U.S. to create her own boundary breaking art. Tracking the personal and professional challenges that await her, Elvira Lind’s film lovingly and intimately documents the dilemmas and inevitable consequences of ambition. BOBBI JENE delves into what it takes for a woman to gain her own independence in the extremely competitive world of dance and to find self-fulfillment in the process.

Filmed with extraordinary access over more than two years, MAY IT LAST: A PORTRAIT OF THE AVETT BROTHERS is a deeply intimate and revealing look at the Grammy Award-nominated North Carolina band fronted by Seth and Scott Avett. Directors Judd Apatow and Michael Bonfiglio chart the Avett Brothers' decade-and-a-half rise, while chronicling their 2016 collaboration with famed producer Rick Rubin on the critically-acclaimed album “True Sadness,” released on American Recordings/Republic Records. Using the recording process as a backdrop, the film depicts a lifelong creative partnership put to the test as band members undergo marriage, divorce, parenthood, illness, and the challenges of the music business. More than just a concert documentary, MAY IT LAST is a meditation on family, love, and the passage of time.

Enigmatic and complex, Joe Heaney was one of the greats of traditional Irish singing (sean nós). Shaped by the myths, fables, and songs of his upbringing in the west of Ireland, his emergence as a gifted artist came at a personal cost. Featuring performances from Colm Seoighe, Macdara Ó Fátharta, Jaren Cerf, Lisa O'Neill, Damien Dempsey, and sean nós singers Mícheál Ó Chonfhaola and Pól Ó Ceannabháin, and beautiful black and white cinematography, SONG OF GRANITE is a distinct portrait of Heaney’s life and a marvelous exploration of music and song.

The National Pyrotechnic Festival in Tultepec, Mexico is a site of festivity unlike any other in the world. In celebration of San Juan de Dios, patron saint of firework makers, conflagrant revelry engulfs the town for ten days. Artisans show off their technical virtuosity, up-and-comers create their own rowdy, lo-fi combustibles, and dozens of teams build larger-than- life papier-mâché bulls to parade into the town square, adorned with fireworks that blow up in all directions. More than three quarters of Tultepec’s residents work in pyrotechnics, making the festival more than revelry for revelry’s sake. It is a celebration that anchors a way of life built around a generations-old, homegrown business of making fireworks by hand. For the people of Tultepec, the National Pyrotechnic Festival is explosive celebration, unrestrained delight and real peril. Plunging headlong into the fire, BRIMSTONE & GLORY honors the spirit of Tultepec’s community and celebrates celebration itself. Edited by Affonso Gonçalves and scored by Dan Romer and Benh Zeitlin, the creative team of BEASTS OF THE SOUTHERN WILD.

In the summer 1993, following the death of her parents, six years old Frida moves from Barcelona to the Catalan province to live with her aunt and uncle, who are now her new legal guardians. The country life is a challenge for Frida – time passes differently in her new home and the nature that surrounds her is mysterious and estranging. She now has a little sister for whom she has to take care of and has to deal with new feelings, such as jealousy. Often, Frida is naively convinced that running away would be the best solution to her problems. Yet, the family does what it can to achieve a fragile new balance and bring normality to their life. Occasional family outings to a local fiesta or a swimming pool, cooking or listening to jazz in the garden bring them moments of happiness. Slowly, Frida realizes that she is there to stay and has to adapt to the new environment. Before the season is over, she has to cope with her emotions and her parents have to learn to love her as their own daughter.

In this tale of love and survival in 19th century Estonia, peasant girl Liina longs for village boy Hans, but Hans is inexplicably infatuated by the visiting German baroness that possesses all that he longs for. For Liina, winning Hans’ requited love proves incredibly complicated in this dark, harsh landscape where spirits, werewolves, plagues, and the devil himself converge, where thievery is rampant, and where souls are highly regarded, but come quite cheap. With alluring black and white cinematography, Rainer Sarnet vividly captures these motley lives as they toil to exist—is existence worth anything if it lacks a soul?

When a renowned architecture scholar falls suddenly ill during a speaking tour, his son Jin (John Cho) finds himself stranded in Columbus, Indiana - a small Midwestern city celebrated for its many significant modernist buildings. Jin strikes up a friendship with Casey (Haley Lu Richardson), a young architecture enthusiast who works at the local library. As their intimacy develops, Jin and Casey explore both the town and their conflicted emotions: Jin's estranged relationship with his father, and Casey's reluctance to leave Columbus and her mother. With its naturalistic rhythms and empathy for the complexities of families, debut director Kogonada's COLUMBUS unfolds as a gently drifting, deeply absorbing conversation. With strong supporting turns from Parker Posey, Rory Culkin, and Michelle Forbes, COLUMBUS is also a showcase for its director's striking eye for the way physical space can affect emotions.

A mosaic of asphalt adventures, landscape photography, and some of the craziest shit you’ve ever seen, Dmitrii Kalashnikov’s THE ROAD MOVIE is a stunning compilation of video footage shot exclusively via the deluge of dashboard cameras that populate Russian roads. The epitome of a you-have-to-see-it-to-believe-it documentary, THE ROAD MOVIE captures a wide range of spectacles through the windshield—including a comet crashing down to Earth, an epic forest fire, and no shortage of angry motorists taking road rage to wholly new and unexpected levels—all accompanied by bemused commentary from unseen and often stoic drivers and passengers.

Trained from an early age by rigorous, perfectionist Professor Bojinski, Polina is a promising classic dancer. She is just about to join the prestigious Bolchoï Ballet when she discovers contemporary dance. That throws everything into question on a profound level. Polina leaves it all behind and moves to France to work with famous choreographer Liria Elsaj. Despite her determination and hard work to the point of obsession, Polina just can't seem to break through. So she moves to Anvers in search of work - and a new life.

Filmed in Dominique Abel and Fiona Gordon’s signature whimsical style, LOST IN PARIS stars the filmmakers as a small-town Canadian librarian and a strangely seductive, oddly egotistical vagabond. When Fiona’s (Gordon) orderly life is disrupted by a letter of distress from her 88-year-old Aunt Martha (delightfully portrayed by Academy Award®-nominee Emmanuelle Riva) who is living in Paris, Fiona hops on the first plane she can and arrives only to discover that Martha has disappeared. In an avalanche of spectacular disasters, she encounters Dom (Abel), the affable, but annoying tramp who just won’t leave her alone. Replete with the amazing antics and intricately choreographed slapstick that has come to define Abel and Gordon’s work, LOST IN PARIS is a wondrously fun and hectic tale of peculiar people finding love while lost in the City of Lights.

Progressive Dutch couple, Martin Verfondern and Margo Pool, had only one dream – to live off the land, far from the constraints and complications of the city. But, when they arrive in the remote, Spanish village of Santoalla, the foreigners challenge the traditions of the Rodríguez family, the only remaining residents, igniting a decade-long conflict that culminates in Martin's mysterious disappearance. As this once forgotten landscape is thrust into the center of controversy, Margo finds herself searching not only for answers, but for the strength to persevere.

Asaph Polonsky’s debut feature OnE WEEK AnD A DAy juxtaposes the grieving process against the immutable fact that, despite the most painful losses imaginable, the world stops for no one’s mourning. With endearing performances from Shai Avivi and Evgenia Dodina as Eyal and Vicky, and Tomer Kapon as Zooler, ONE WEEK AND A DAY provides a nuanced perspective on loss that is as merciless as it is funny and insightful.

Two friends, both actresses (Halt and Catch Fire’s Mackenzie Davis and Masters of Sex’s Caitlin FitzGerald), leave Los Angeles for Big Sur embarking on a weekend getaway to reconnect. Once alone, however, the two women's suppressed jealousies and deep-seated resentments bubble to the surface, causing them to lose grasp not just of the true nature of their relationship, but also of their own identities.

Indianapolis has one of the lowest high school graduation rates in the country. For adult learners Greg, Melissa and Shynika, finally earning their high school diplomas could be a life-changing achievement. Emmy award-winning director Andrew Cohn’s absorbing documentary observes their individual pursuits, fraught with the challenges of daily life and the broader systemic roadblocks faced by many low income Americans.

Contemporary Color is a performance event and now a major motion picture inspired by the phenomenon of color guard, colloquilally known as "the sport of the arts"—conceived by David Byrne, co-commissioned by Brooklyn Academy of Music and Toronto’s Luminato Festival, and with support from WGI Sport of the Arts. Ten 20-40 person teams from the US and Canada will perform at Brooklyn’s Barclays Center and Toronto’s Air Canada Centre, alongside an extraordinary array of musical talent—performing together live.

Young outcast Sean has isolated himself in a trailer in the woods, setting out on alchemic pursuits, with his cat Kaspar as his sole companion. Filled with disdain for authority, he’s fled the daily grind and holed up in the wilderness, escaping a society that has no place for him. But when he turns from chemistry to black magic to crack nature’s secret, things go awry and he awakens something far more sinister and dangerous. From the mind of acclaimed American filmmaker Joel Potrykus (BUZZARD, APE), THE ALCHEMIST COOKBOOK is an Official Selection of the 2016 South by Southwest Film Festival.

Hundreds of thousands of Turkish cats roam the metropolis of Istanbul freely. For thousands of years they’ve wandered in and out of people’s lives, becoming an essential part of the communities that make the city so rich. Claiming no owners, the cats of Istanbul live between two worlds, neither wild nor tame — and they bring joy and purpose to those people they choose to adopt. In Istanbul, cats are the mirrors to the people, allowing them to reflect on their lives in ways nothing else could.

Elaine, a beautiful young witch, is determined to find a man to love her. In her gothic Victorian apartment she makes spells and potions, and then picks up men and seduces them. However, her spells work too well, leaving her with a string of hapless victims. When she finally meets the man of her dreams, her desperation to be loved will drive her to the brink of insanity and murder. With a visual style that pays tribute to Technicolor thrillers of the ‘60s, THE LOVE WITCH explores female fantasy and the repercussions of pathological narcissism.

In this vibrant portrayal of Australian adolescence, Greta Driscoll's bubble of obscure loserdom is burst when her parents throw her a surprise 15th birthday party and invite the whole school! Perfectly content being a wallflower, suddenly Greta's flung far from her comfort zone into a distant, parallel place -- a strange world that’s a little frightening and a lot weird, but only there can she find herself. Equal measures Wes Anderson and Lewis Carroll, GIRL ASLEEP is an enchanting journey into the absurd -- and sometimes scary -- depths of the teenage mind.

Academy Award®-winning actress and producer Penélope Cruz delivers an extraordinarily emotional performance in ma ma, the newest film from acclaimed director Julio Medem (SEX AND LUCÍA). Honoring the high melodrama of Pedro Almodóvar and Douglas Sirk, ma ma follows Magda (Cruz) as she experiences tragedies and miracles alike. Just as Magda is diagnosed with breast cancer, she meets Arturo (Luis Tosar), a devoted husband and father in the midst of unspeakable loss. Their chance encounter leads both down a path of strength, grace, love, and rebirth.

A week before he's set to move across the country with his girlfriend, Craig impulsively sets out on a solo road trip across the US to see the nation’s largest sites in this funny, warm-hearted comedy of self-discovery.

At once blistering and poetic, the ravages of colonialism cast a dark shadow over the South American landscape in EMBRACE OF THE SERPENT, the third feature by Ciro Guerra. Filmed in stunning black-and-white, SERPENT centers on Karamakate, an Amazonian shaman and the last survivor of his people, and the two scientists who, over the course of 40 years, build a friendship with him. The film was inspired by the real-life journals of two explorers (Theodor Koch-Grünberg and Richard Evans Schultes) who traveled through the Colombian Amazon during the last century in search of the sacred and difficult-to-find psychedelic Yakruna plant.

A poignant, thought-provoking account of friendship and the toll of inherited guilt, WHAT OUR FATHERS DID explores the relationship between two men, each of whom are the children of very high-ranking Nazi officials and possess starkly contrasting attitudes toward their fathers. Eminent human rights lawyer Philippe Sands investigates the complicated connection between the two, and even delves into the story of his own grandfather who escaped the same town where their fathers carried out mass killings. The three embark on an emotional journey together, as they travel through Europe and converse about the past, examining the sins of their fathers and providing a unique view of the father-son relationship, ultimately coming to some very unexpected and difficult conclusions.

An excitingly fresh take on some classic themes and ideas, THE SECOND MOTHER centers around Val, a hard-working live-in housekeeper in modern day Sao Paulo. Val is perfectly content to take care of every one of her wealthy employers’ needs, from cooking and cleaning to being a surrogate mother to their teenage son, who she has raised since he was a toddler. But when Val’s estranged daughter Jessica suddenly shows up the unspoken but intrinsic class barriers that exist within the home are thrown into disarray. Jessica is smart, confident, and ambitious, and refuses to accept the upstairs/downstairs dynamic, testing relationships and loyalties and forcing everyone to reconsider what family really means.

A darkly funny and twisted journey taking place entirely on one unforgettable Christmas Eve, Body revolves around a trio of college co-eds whose dalliance with breaking-and-entering goes horribly awry. Sneaking off to a secluded mansion to party, the young girls are faced with dire choices after they unexpectedly encounter the property’s groundskeeper. Following a freak accident, the girls find themselves entangled in a Hitchcockian nightmare steeped in tension, suspicion, double-crossing, and murder, where no one is to be trusted and a new twist lies around every corner.

This not-quite-documentary takes place far away and out of sight, on the margins and off the grid of American society. It tells the stories of April, Dave, Cindy, Rick and a man who calls himself ‘the Godfather.’ From a couple scraping by in the depths of the flood channels located beneath Sin City, to a man living in a reclaimed military bunker in the middle of the dusty California desert, and beyond even the stratosphere, to a place where Mars and Earth have become one and the same place, this motley crew of individuals have been flung into periling circumstances on this rollercoaster ride called life. Through the hustle, pain, and laughter, we are whisked away to an unfamiliar world whose inhabitants are revealed to be souls not unlike our very own.

A tantalizing mystery in the vein of The Secret in Their Eyes and Tell No One, The Vanished Elephant follows popular crime novelist Edo Celeste after he receives a cryptic envelope on the eve of the publication of the final installment in his beloved “Felipe Aranda” detective series. The envelope, which contains a series of enigmatic photographs, may be a long-awaited clue to the mysterious disappearance of his fiancée seven years prior. As Celeste descends down a rabbit hole of strange occurrences, stumbling on a steady stream of new clues, his obsession becomes increasingly more complex and dangerous, and the line between the fiction he creates and the reality he lives in quickly blurs.

Mark Landis has been called one of the most prolific art forgers in US history. His impressive body of work spans thirty years, covering a wide range of painting styles and periods that includes 15th Century Icons, Picasso, and even Walt Disney. And while the copies could fetch impressive sums on the open market, Landis isn't in it for money. Posing as a philanthropic donor, a grieving executor of a family member’s will, and most recently as a Jesuit priest, Landis has given away hundreds of works over the years to a staggering list of institutions across the United States. But after duping Matthew Leininger, a tenacious registrar who ultimately discovers the decades-long ruse and sets out to expose his philanthropic escapades to the art world, Landis must confront his own legacy and a chorus of museum professionals clamoring for him to stop. ART AND CRAFT starts out as a cat-and-mouse art caper, rooted in questions of authorship and authenticity – but what emerges is an intimate story of obsession and the universal need for community, appreciation, and purpose.

Toni, a tomboyish boxer, lands a spot on an after-school drill team in the West End community of Cincinnati. She eagerly absorbs routines, masters drills, and even pierces her own ears to fit in. It’s the joy of her first friendships and her discovery of dance. Shortly after Toni joins the team, most of the girls on the team suffer from episodes of fainting, swooning, and shaking in a seemingly uncontrollable catharsis. Nobody can explain the mysterious outbreak. These fits soon transform into a rite of passage as the trauma draws the other girls closer together. Caught between her need for control and her desire for acceptance, Toni must decide how far she will go to embody her new ideals.

Hadas Yaron (of the internationally acclaimed film Fill the Void) returns to the big screen in Maxime Giroux’s Felix and Meira, a story of an unconventional romance between two people living vastly different lives mere blocks away from one another. Meira (Yaron), a young Hasidic housewife and mother, and Félix (Martin Dubreuil), a man lost in mourning the recent death of his father, unexpectedly meet at a local bakery in Montreal’s Mile End district. What starts as an innocent friendship becomes more serious as the two wayward strangers find comfort in one another. As Felix opens Meira’s eyes to the world outside of her tight-knit Orthodox community, her desire for change becomes harder for her to ignore, ultimately forcing her to choose: remain in the life that she has always known or give it all up to be with Félix. Giroux’s film is a poignant tale of self-discovery, a fascinating glimpse into the Hasidic community, and a modern love story set against backdrops both familiar and unknown.

THE PAST IS A GROTESQUE ANIMAL is a personal, accessible portrait of an artist – of Montreal frontman Kevin Barnes – whose pursuit to make transcendent music at all costs drives him to value art over human relationships. As he struggles with all of those around him, family and bandmates alike, he’s forced to reconsider the future of the band, begging the question – is this really worth it?

PLAY TRAILER BUY $12.99 RENT $4.99 STAND CLEAR OF THE CLOSING DOORS tells the story of Ricky, a 13-year old boy with Asperger’s Syndrome who gets lost one day in the New York City subway system. While his mother frantically searches for him above ground, the sensory-sensitive Ricky is exposed to the cacophony, eccentricity, and menace found in New York’s underground (including some scenes shot during Hurricane Sandy, which came to figure into the film’s story), resulting in a truly authentic view into both the wonders and the horrors of what lies below.

Winner of the Grand Prix at the 2014 Cannes Film Festival and a standout at the New York Film Festival, young Italian filmmaker Alice Rohrwacher's (CORPO CELESTE) entrancing, richly textured drama centers on a family of beekeepers living in stark isolation in the Tuscan countryside. The dynamic of their overcrowded household is disrupted by the simultaneous arrival of a silently troubled teenagedboy taken in as a farmhand and a reality TV show (featuring a host played by Monica Bellucci) intent on showcasing the family. Both intrusions are of particular interest to the eldest daughter, Gelsomina (Maria Alexandra Lungu), who is struggling to find her footing in the world, and Rohrwacher conveys her adolescent sense of wonder and confusion with graceful naturalism.

CATCH ME DADDY, Daniel Wolfe's first feature, written and created with his brother Matthew, follows Laila, a teenager from a ruthless criminal family as she flees home with her boyfriend, Aaron. Laila’s family, who disapprove of the relationship on the grounds of religious principles, decide to hire a couple of mercenary thugs to chase them down – a pursuit that takes them deep into the muck of the Yorkshire Moors. Described by the Wolfe brothers as a “modern-day Western,” the film is a tough, atmospheric, all-together riveting experience, which also received very strong reviews upon its Cannes premiere before heading to the Karlovy Vary Film Festival, The London Film Festival, and International Film Festival Rotterdam.

Robbie and Jude are a young couple living in their broken down car parked alongside Chicago's Lincoln Park Zoo. Their days are a continuous ritual of theft and scoring until they must confront the difficult truth of their relationship after one of them is hospitalized.

Director Wayne Wang (THE JOY LUCK CLUB) takes us into the world of Cecilia Chiang, the woman who introduced America to authentic Chinese food. Chiang opened her internationally renowned restaurant The Mandarin in 1961 in San Francisco and went on to change the course of cuisine in America. The film is equal parts a delectable showcase of gastronomy and a touching portrait of Chiang’s journey from a childhood in Beijing before the Cultural Revolution to accidental restaurateur on the west coast of the United States. SOUL OF A BANQUET features interviews with Alice Waters, Ruth Reichl, and Cecilia Chiang herself.

MAD AS HELL documents the tumultuous, at times hilarious and altogether astonishing trajectory of Cenk Uygur, The Young Turks’ main host and founder, as he traverses from unknown Public Access TV host to internet sensation by way of YouTube. When he ventures into national television by landing the 6 PM timeslot on MSNBC, Cenk’s uncensored brand of journalism is compromised as he becomes a thorn in the side of traditional news media; his unwavering dedication to speaking the truth puts him at the very nexus of the battle between new and old media.

RORY CULKIN STARS IN GABRIEL, A HEARTFELT PORTRAIT OF A VULNERABLE TEEN AT HIS PSYCHOLOGICAL BREAKING POINT, STRUGGLING TO KEEP IT TOGETHER IN THE WAKE OF HIS FATHER’S SUICIDE. CONVINCED THAT REUNITING WITH AN EX-GIRLFRIEND HOLDS THE ANSWERS TO HIS TROUBLES, GABRIEL RISKS EVERYTHING IN A DESPERATE PURSUIT THAT WILL TAKE HIM TO UNCHARTED AND UNEXPECTED PLACES AND TEST THE LIMITS OF THOSE CLOSEST TO HIM. INFUSED WITH AUTHENTICITY AND COURAGE, GABRIEL ESTABLISHES FIRST-TIME WRITER-DIRECTOR HOWE AS A NEW FILMMAKING VOICE TO BE RECKONED WITH.

Though culminating with the farewell concert the band played to thousands of adoring fans in their hometown of Sheffield, England, PULP is by no means a traditional concert film or rock doc. As much a testament to the band as it is to the city and inhabitants of Sheffield, PULP weaves exclusive concert footage with man-on-the-street interviews and dreamy staged sequences to paint a picture much larger, funnier, moving, and life-affirming than any music film of recent memory.

Marty is a caustic, small-time con artist drifting from one scam to the next. When his latest ruse goes awry, mounting paranoia forces him from his lousy small town temp job to the desolate streets of Detroit with nothing more than a pocket full of bogus checks, a dangerously altered Nintendo® Power Glove, and a bad temper. Albert Camus meets Freddy Krueger in BUZZARD, a hellish and hilarious riff on the struggles of the American working class. MAC USERS: *Macintosh users might receive an "unidentified developer" message that prevents them from opening the game. That's a fairly normal thing on Macintosh with indie software. All you have to do is to right-click and select Open, then tell the computer that you do indeed understand the risks of not using commercial software. Easy as pie.

Based on the memoir by Amy-Jo Albany, LOW DOWN is a compassionate, tender look at the complex relationship between Amy-Jo (Elle Fanning) and her father Joe (John Hawkes), a man torn between his musical ambition, his devotion to his teenage daughter, and his suffocating heroin addiction. Set against a sensuously textured 1970s Hollywood, the film beautifully evokes a colorful, seedy world of struggling musicians, artists, and vagabonds, in which Joe and Amy-Jo strive to live the lives they want against seemingly insurmountable odds.

In JINGLE BELL ROCKS!, director Mitchell Kezin delves into the minds of some of the world’s most legendary Christmas music fanatics and hits the road to hang with his holiday heroes – including hip hop legend Joseph “Rev Run” Simmons of RUN-D.M.C., The Flaming Lips’ frontman Wayne Coyne, filmmaker John Waters, bebopper Bob Dorough, L.A. DJ and musicologist Dr. Demento, and Calypso legend The Mighty Sparrow. In his search for the twelve best, underappreciated Christmas songs ever recorded, Kezin both asks and answers the question, “Why, when Christmas rolls around, are we still stuck cozying up with Bing Crosby under a blanket of snow?”

In Karachi, Pakistan, a runaway boy's life hangs on one critical question: where is home? The streets, an orphanage, or with the family he fled in the first place? Simultaneously heart-wrenching and life-affirming, THESE BIRDS WALK documents the struggles of these wayward street children and the samaritans looking out for them in this ethereal and inspirational story of resilience.

THE KILL TEAM looks at the devastating moral tensions that tear at soldiers’ psyches through the lens of one highly personal and emotional story. Private Adam Winfield was a 21-year-old soldier in Afghanistan when he attempted with the help of his father to alert the military to heinous war crimes his platoon was committing. But Winfield’s pleas went unheeded. Left on his own and with threats to his life, Private Winfield was himself drawn into the moral abyss, forced to make a split-second decision that would change his life forever. With extraordinary access to the key individuals involved in the case – including Private Winfield, his passionately supportive parents, and Winfield’s startlingly candid compatriots in the so-called “Kill Team”— Krauss expertly constructs a film that is a balanced and nuanced look at the personal stories so often lost inside the larger coverage of the longest war in US history.

AFTER TILLER intimately explores the highly controversial subject of third-trimester abortions in the wake of the 2009 assassination of practitioner Dr. George Tiller. The procedure is now performed by only four doctors in the United States, all former colleagues of Dr. Tiller, who risk their lives every day in the name of their unwavering commitment toward their patients. Directors Martha Shane and Lana Wilson have created a moving and unique exploration of one of the most incendiary topics of our time, and they’ve done so in an informative, thought-provoking, and compassionate way.

On the night of an astronomical anomaly, eight friends at a dinner party experience a troubling chain of reality bending events. Part cerebral sci-fi and part relationship drama, COHERENCE is a tightly focused, intimately shot film that quickly ratchets up with tension and mystery

Doctors today are liberally writing prescriptions for psychotropic drugs such as Adderall, Ambien, Zoloft, and Prozac (to name but a very few). Often these drugs are combined in polypharmacy cocktails or are given out for unapproved or untested indications, leading to abuse, dangerous side effects, and heavy dependence. In OFF LABEL, Michael Palmieri and Donal Mosher (October Country) examine our runaway pharma-culture by weaving together the stories of drug-testing subjects, Big Pharma representatives, and many others touched by the rampant use of pharmaceuticals. Together, they create a poetic, sometimes amusing and frequently heartbreaking emotional road trip through an overmedicated, misdiagnosed, and drug-addled America.

In the infancy of hip-hop, Brooklyn-born photographer Jamel Shabazz documented the pioneers of music and style who would launch an enduring worldwide phenomenon. In JAMEL SHABAZZ STREET PHOTOGRAPHER Charlie Ahearn (director of the seminal graffiti movie Wild Style) pays tribute to both Shabazz and those who defined hip-hop before it had definition. More than just vintage shots of kids rocking sneakers and savvy street style in Times Square and Fort Greene Park, Shabazz’s photographs have hundreds of stories behind them, and Ahearn’s film gives voice to these images with intimate interviews with Shabazz himself, graffiti pioneer and hip-hop historian Fred “Fab 5 Freddy” Brathwaite, legendary rapper KRS-One, and many others.

On the eve of their wedding, Alison gets cold feet and decides to break up with her fiancé Phil. But rather than face the embarrassment of calling off the ceremony, Alison suggests to Phil that they proceed with a sham wedding. Phil is more than game to try, secretly hoping that a surprise gift he has for Alison will ultimately change her mind. Yet once the guests begin to arrive, more complications ensue than either of them could have ever imagined - even if they did know their wedding was bullshit.

Teenagers didn't always exist. They had to be invented. As the cultural landscape around the world was thrown into turmoil during the industrial revolution, and with a chasm erupting between adults and youth, the concept of a new generation took shape. Whether in America, England, or Germany, whether party-crazed Flappers or hip Swing Kids, zealous Nazi Youth or frenzied Sub-Debs, it didn't matter - this was a new idea of youth. They were all "Teenagers." A hypnotic rumination on the genesis of youth culture from the end of the 19th century to the first half of the 20th, Matt Wolf's TEENAGE is a living collage of rare archival material, filmed portraits, and diary entries read by Jena Malone, Ben Whishaw, and others. Inspired by Jon Savage's book and set to a shimmering contemporary score by Bradford Cox (Deerhunter / Atlas Sound), TEENAGE is a mesmerizing trip into the past and a riveting look at the very idea of "coming-of-age."

In the harsh, wintry woods of rural Quebec, Bruce (Academy Award®-nominee Thomas Haden Church), a down-on-his-luck snowplow operator, accidentally kills a man during a drunken night joyride. Stricken with panic, he hides the body and takes to the deep wilderness in hopes of outrunning both the authorities and his own conscience. But as both begin to close in, Bruce falls apart mentally and morally and mysteries unravel to reveal who he was before the accident, the truth behind his victim, and the circumstances that brought them together in a single moment. A darkly comic noir in the vein of the Coen Brothers, Emanuel Hoss-Desmarais's WHITEWASH is a gripping exploration of a well-meaning Everyman at the end of his rope.

The 12 O’CLOCK BOYS are a notorious urban dirt bike pack in Baltimore — popping wheelies and weaving at excessive speeds through traffic, the group impressively evades the hamstrung police. In Lotfy Nathan’s wild, dynamic documentary (three years in the making), their stunning antics are envisioned through the eyes of young adolescent Pug – a bright kid from the Westside obsessed with the riders and willing to do anything to join their ranks. Premiering to critical acclaim at the SXSW and Hot Docs Film Festivals (where Nathan won the HBO Emerging Artist Award), 12 O’CLOCK BOYS provides a compelling and intimate personal story of a young boy and his dangerous, thrilling dream.

Part psychological thriller and part provocative character study, A TEACHER explores the unraveling of a young high school teacher, Diana (Lindsay Burdge), after she begins an affair with one of her teenage students, Eric (Will Brittain). What starts as a seemingly innocent fling becomes increasingly complex and dangerous as the beautiful and confident Diana gets fully consumed by her emotions, crossing boundaries and acting out in progressively startling ways. Lindsay Burdge delivers a deeply compelling and seamlessly naturalistic performance that brings us into the mind of an adult driven to taboo against her better judgment.

Adenike and Ayodele (The Walking Dead's Danai Gurira and veteran actor Isaach De Bankolé) are a Nigerian couple living in Brooklyn. Following the joyous celebration of the their wedding, complications arise out of their inability to conceive a child - a problem that devastates their family and defies cultural expectations, leading Adenike to make a shocking decision that could either save her family or destroy it. Acclaimed director Andrew Dosumnu (Restless City) captures the nuances of this unique and fascinating culture by creating a beautiful, vibrant, and moving portrait of a couple whose joys and struggles are at once intimate and universal.

Recently dumped by his girlfriend, underachiever Alex (O’Nan) embarks on an impromptu road trip with his new bandmate, the eccentric Jim (Michael Weston). By channeling their inner children and giving a new meaning to the term “lo-fi,” Alex and Jim find their unique style by bringing the sound of children’s instruments to their unsuspecting fans. Playing a series of bizarre shows and experiencing multiple near-disasters, Alex and Jim’s persistence takes them on a true coming-of-age journey – one that may be their last shot at achieving their childhood dreams.

Selected as the opening night film for Sundance 2012, HELLO I MUST BE GOING features acclaimed actress Melanie Lynskey (WIN WIN, UP IN THE AIR, TWO AND A HALF MEN) in her breakout role as Amy, a recent divorcée who seeks refuge in the suburban Connecticut home of her parents (Blythe Danner and John Rubinstein). Demoralized and uncertain of her future, Amy begins an affair with a 19-year-old actor (GIRLS’ Christopher Abbott) that jumpstarts her passion for life and helps her discover an independence and sense of purpose that she has missed for years. Coupling Danner’s subtly riveting performance as a frustrated empty nester with Lynskey’s endearing and nuanced depiction of both the comic and tragic avenues of an existential crossroads, HELLO I MUST BE GOING is a modern, unconventional love story infused with sex, humor, and emotional honesty – everything Amy will need to get on in life.

Eight friends meet for their monthly “couples brunch." But what starts as an impromptu therapy session / airing of domestic grievances takes a sudden, catastrophic turn when the city falls victim to a mysterious attack. Trapped in the house and unsure of their fates, these seemingly normal people become increasingly unhinged to hilarious, surprising, and revealing results. IT'S A DISASTER is a fast-paced ensemble comedy about the worst brunch ever: the eggs are cold, the tensions are high, and the end is near.

A melancholy man becomes a nanny to prove to his ex-girlfriend that he's ready to have children.

From acclaimed director Matteo Garrone, REALITY is a darkly comic look at Luciano, a charming and affable fishmonger whose unexpected and sudden obsession with being a contestant on the reality show “Big Brother” leads him down a rabbit hole of skewed perceptions and paranoia. So overcome by his dream of being on reality TV, Luciano’s own reality begins to spiral out of control, making for one of the most compelling tragicomic character studies since Scorsese’s The King of Comedy.

ONLY THE YOUNG follows the story of three teenagers that live in a small desert town in Southern California – a town dominated by foreclosed homes and underpasses, unfilled swimming pools and skate parks. These kids must find things to do in a place that offers nothing – yet in the course of observing their day-to-day lives, we see them discover friendship, first love, heartbreak, and what it means to be young. Tippet and Mims’ delicate, ethereal filmmaking and ONLY THE YOUNG’s innocent yet rebellious subjects collectively embody the very essence of adolescence.

TCHOUPITOULAS is a lyrical documentary that follows three adolescent brothers as they journey through one night in New Orleans, encountering a vibrant kaleidoscope of dancers, musicians, hustlers, and revelers parading through the lamplit streets.

WELCOME TO PINE HILL is an extension of Miller’s earlier short film PRINCE/WILLIAM about an unexpected encounter surrounding a lost dog. Blurring the line between documentary and fiction, PINE HILL follows that short’s protagonist Shannon, a reformed drug dealer who is now an insurance claims adjuster, in the days following a grim medical diagnosis. Shannon, portrayed in an extraordinarily intimate performance by first time actor Shannon Harper, sets out to make peace with those around him and in turn find his own peace beyond the cacophony of New York City.

Two older Jewish women, best friends who live together in Berlin (and one of whom, Regina “Oma” Karolinski, is the filmmaker’s grandmother), are Holocaust survivors who have remained in Germany since the war. Oma and Bella spend their days telling stories and cracking jokes, dispensing advice, and devoting the majority of their time to their greatest love of all—cooking. Their cooking is a passionate connection to their culture and heritage, a demonstration of their creativity and skill, and a showcase for some of the most unique and delicious looking dishes we’ve ever seen on film (Karolisnki has also recently self-published a cookbook featuring Oma and Bella’s one-of-a-kind recipes). OMA & BELLA paints an intimate portrait of two incredibly strong, funny, endearing women who look candidly at their lives as they both wrestle with the past and engage with the present.

The Apple Pushers, written and directed by Mary Mazzio, narrated by Academy Award nominee Edward Norton, and underwritten by the Laurie M. Tisch Illumination Fund, follows immigrant street vendors who are rolling fresh fruits and vegetables into the inner cities of New York (where finding a fresh red ripe apple can be a serious challenge). Through the lens of their powerful and deeply personal stories, the film examines such hot-button issues as food access, the obesity crisis, immigration, entrepreneurship, and what it really takes to achieve the American Dream. "Emotionally, the film packs a wallop," - Tracie McMillan (The Atlantic).

If it’s a funeral… let’s have the best funeral ever. On April 2nd, 2011, LCD SOUNDSYSTEM played its final show at Madison Square Garden. LCD frontman James Murphy had made the conscious decision to disband one of the most celebrated and influential bands of its generation at the peak of its popularity, ensuring that the band would go out on top with the biggest and most ambitious concert of its career. The instantly sold out, near four-hour extravaganza did just that, moving the thousands in attendance to tears of joy and grief, with New York Magazine calling the event “a marvel of pure craft” and TIME magazine lamenting “we may never dance again.” SHUT UP AND PLAY THE HITS is simultaneously a document of a once-in-a-lifetime performance and an intimate portrait of Murphy as he navigates both the personal and professional ramifications of his decision.

In this sexy, surprising romance, a man and a woman meet each other in a hotel while they are both traveling on business. Flirtation leads to a feverish night of sex that both find hard to forget. Although she’s married, and he has a girlfriend, their intense attraction turns a seemingly casual one-night stand into a continual series of passionate hotel trysts, uniting them in a profound and unconventional relationship. Unfolding as a collage of moments—some sexy, some innocent, some profound, some silly—28 HOTEL ROOMS is an intimate portrait of an affair in which two people wrestle with the intoxication of sex and the confusion of loving more than one person.

This revealing and touching film asks what happens when a generation's ultimate anti-authoritarians – punk rockers – become society's ultimate authorities – dads. With a large chorus of punk rock's leading men - Blink-182's Mark Hoppus, Red Hot Chili Peppers' Flea, Rise Against’s Tim McIlrath - THE OTHER F WORD follows Jim Lindberg, a 20-year veteran of the skate punk band Pennywise, on his hysterical and moving journey from belting his band's anthem ”F--k Authority,” to embracing his ultimately authoritarian role in mid-life: fatherhood. Other dads featured in the film include skater Tony Hawk, Art Alexakis (Everclear), Mark Mothersbaugh (Devo), Tony Adolescent (The Adolescents), Fat Mike (NOFX), Lars Frederiksen (Rancid), and many others.

Filmed over five years in twenty-five countries, SAMSARA is a non-verbal documentary from filmmakers Ron Fricke and Mark Magidson, the creators of BARAKA. It is one of only a handful of films shot on 70mm in the last forty years.

Set in a border town in northeastern Malaysia of the same name, BUNOHAN tells the powerful story of three estranged brothers – Adil, Bakar and Ilham – and their ailing father, whose fates become tragically intertwined in a web of deceit and corruption. After fleeing a deathmatch in Thailand, Adil the kickboxer is on the run from Ilham the hitman. The chase brings them to Bunohan, where they crash into the shady schemes of the ambitious businessman, Bakar. The trio’s unlikely homecoming brings to light the past of Pok Eng the patriarch, whose secrets will unravel the lives of all. Each man’s unfulfilled struggle for reconciliation and forgiveness leads to the violence of loss, betrayal, corruption and murder.

Andrea Arnold's WUTHERING HEIGHTS is an excitingly fresh and distinct take on the classic novel by Emily Brontë. An epic love story that spans childhood well into the young adult years, the film follows Heathcliff, a boy taken in by a benevolent Yorkshire farmer, Earnshaw. Living in Earnshaw's home, Heathcliff develops a passionate relationship with the farmer's teenage daughter, Catherine, inspiring the envy and mistrust of his son, Hindley. When Earnshaw passes away, the now-grown characters must finally confront the intense feelings and rivalries that have built up throughout their years together. Arnold's film is a beautiful and evocative visual masterpiece that brings out the powerful emotions at the heart of Brontë's classic novel, resulting in a viscerally affecting love story. It is a sweepingly old-fashioned tale of family, class, and romance told in a bracingly modern way by one of contemporary cinema's most gifted and unique filmmakers.

IF A TREE FALLS: A STORY OF THE EARTH LIBERATION FRONT is the remarkable story of the group's rise and fall, told through the transformation and radicalization of one of its members, Daniel McGowan. Part coming-of-age tale, part cops-and-robbers thriller, the film interweaves a chronicle of McGowan facing life in prison with a dramatic investigation of the events that led to his involvement with the ELF. Using never-before-seen archival footage and intimate interviews — with cell members and with the prosecutor and detective who were chasing them — IF A TREE FALLS asks hard questions about environmentalism, activism, and the way we define terrorism.

A suspenseful and gripping psychological thriller, Lynne Ramsay’s WE NEED TO TALK ABOUT KEVIN explores the fractious relationship between a mother and her evil son. Tilda Swinton, in a bracing, tour-de-force performance, plays the mother, Eva, as she contends for 15 years with the increasing malevolence of her first-born child, Kevin (Ezra Miller). Based on the best-selling novel of the same name, WE NEED TO TALK ABOUT KEVIN explores nature vs. nurture on a whole new level as Eva's own culpability is measured against Kevin's innate evilness. Ramsay's masterful storytelling simultaneously combines a provocative moral ambiguity with a satisfying and compelling narrative, which builds to a chilling, unforgettable climax.

Best friends Woodrow and Aiden spend all of their free time building MAD MAX-inspired flamethrowers and muscle cars in preparation for a global apocalypse. But when Woodrow meets a charismatic young woman and falls hard in love, he and Aiden quickly integrate into a new group of friends, setting off on a journey of love and hate, betrayal, infidelity, and extreme violence more devastating and fiery than any of their apocalyptic fantasies.

When 35 year old stand-up comedian Steve Mazan learns he has cancer, he dedicates his life to achieving his dream of performing comedy on The Late Show with David Letterman. DYING TO DO LETTERMAN chronicles Steve’s five-year journey, as he races his own ticking clock to achieve a nearly impossible goal. Hilarious, heart-breaking, and ultimately inspirational, Steve’s journey brings a brand-new perspective to living with cancer. This is a story that proves it’s not how much time you have, it’s what you do with it. As Steve says, ‘If you stop chasing your dreams, you’re already dead.’

REBIRTH is a riveting journey into living history – an act of personal witness to one of the most profound events in American history and the healing that has come in its wake. The result of a decade-long process by director Jim Whitaker, the inspirational story of REBIRTH follows the nearly ten-year transformation of five people whose lives were forever altered on September 11, 2001 – and simultaneously tracks via unprecedented multi-camera time-lapse photography the minute-by-minute evolution of the space where the Twin Towers once rose. Both a singular cinematic and human experience, REBIRTH is deeply intimate and uplifting - providing a moving portrait of how trauma and grief metamorphose into hope and rebuilding as the human spirit transcends the unthinkable over time.

Each year, His Holiness the Dalai Lama travels the world offering teachings and public talks to individuals from many different faiths and backgrounds. In 2010, His Holiness traveled to New York City to teach A Commentary on Bodhicitta by Nagarjuna and A Guide to the Bodhisattva’s Way of Life by Shantideva. Following the teachings, His Holiness the Dalai Lama went on to address a sold out crowd at Radio City Music Hall with Awakening the Heart of Selflessness, a public talk followed by a candid question and answer session. In this talk, His Holiness discusses ways in which one can achieve the realization of selflessness and ultimately achieve inner peace, which in turn generates a genuine sense of responsibility for the happiness of others and eventually creates a more compassionate world for everyone. Hosted by The Gere Foundation and The Tibet Center and brought to you by Oscilloscope Laboratories, COMPASSION IN EMPTINESS presents two historic records of one of the world’s most important spiritual leaders and his unique message of wisdom and compassion.

Did Nick Ray leave Hollywood, or did Hollywood leave him? What was he up to when he returned to the States after a decade in Europe? What was his intention with WE CAN'T GO HOME AGAIN, that experimental film he made with a bunch of college students? What was he doing with so many images on the screen all at once? How did he do it? Why was the film never finished? Did he lose his way, his talent, his sanity, his common sense? DON'T EXPECT TOO MUCH, a full-length documentary helmed by Ray’s wife Susan, investigates these questions and the relationship forged by Ray between his life and his art. Drawing on the director’s archive of never-before-seen film, video, and stills, Susan finds answers to our questions about Nick Ray in Nick Ray’s own words and images. And we learn from interviews with members of the original crew of WE CAN'T GO HOME AGAIN, directors Jim Jarmusch and Victor Erice, and others, how this man lived, saw, learned, and taught, how he fought and danced with his demons, how he loved.

It's the eve of Christmas in northern Finland, and an 'archeological' dig has just unearthed the real Santa Claus. But this particular Santa isn't the one you want coming to town. When the local children begin mysteriously disappearing, young Pietari and his father Rauno, a reindeer hunter by trade, capture the mythological being and attempt to sell Santa to the misguided leader of the multinational corporation sponsoring the dig. Santa's elves, however, will stop at nothing to free their fearless leader from captivity. What ensues is a wildly humorous nightmare – a fantastically bizarre polemic on modern day morality. RARE EXPORTS: A CHRISTMAS TALE is a re-imagining of the most classic of all childhood fantasies, and is a darkly comic gem soon to be required perennial holiday viewing.

Featuring never-before-seen archival footage of Burroughs, as well as exclusive interviews with colleagues and confidants including John Waters, Patti Smith, Iggy Pop, Gus Van Sant, Genesis Breyer P-Orridge, Sonic Youth, Laurie Anderson, Amiri Baraka, Jello Biafra, and David Cronenberg, WILLIAM S. BURROUGHS: A MAN WITHIN is a probing, yet loving look at the man whose works at once savaged conservative ideals, spawned countercultural movements, and reconfigured 20th century culture. The film is narrated by Peter Weller, with a soundtrack by Patti Smith and Sonic Youth. Burroughs was one of the first writers to break the boundaries of queer and drug culture in the 1950's. His novel Naked Lunch is one of the most recognized and respected literary works of the 20th century and has influenced generations of artists. The intimate documentary breaks the surface of the troubled and brilliant world of one of the greatest authors of all time.

In this sexy, French romantic drama, two couples decide to explore the boundaries of their relationships by swapping partners. What starts as a fun, free-spirited ménage-a-4 experimentation full of sleepovers, shared vacations, and dinner parties soon turns into a hotbed of desire, anger, and confusion. As their arrangement leads them down an increasingly surprising and provocative path, the lovers begin to question their personal choices and lifestyles, leading to consequences none of them could foresee.

In this hallucinatory thriller, two outcast redheads – a psychologist (Vincent Cassel) and a bullied teen (Olivier Barthélémy) - embark on a journey to Ireland. But what starts as a search for a more tolerant community soon descends into a rampage of violence and destruction for the ginger-haired duo. The debut feature of Romain Gavras, director of Kanye West & Jay-Z's "No Church in the Wild" and the controversial M.I.A. music video "Born Free", OUR DAY WILL COME is a stylish, mind-twisting trip.

The year is 1845, the earliest days of the Oregon Trail, and a wagon train of three families has hired mountain man Stephen Meek to guide them over the Cascade Mountains. Claiming to know a shortcut, Meek leads the group on an unmarked path across the high plain desert, only to become lost in the dry rock and sage. Over the coming days, the emigrants face the scourges of hunger, thirst and their own lack of faith in one another's instincts for survival. When a Native American wanderer crosses their path, the emigrants are torn between their trust in a guide who has proven himself unreliable and a man who has always been seen as a natural born enemy.

WHO TOOK THE BOMP? LE TIGRE ON TOUR follows iconic feminist electronic band Le Tigre on their 2004-2005 international tour across four continents and through ten countries. Supported by a community of devoted fans and led by outspoken Riot Grrrl pioneer Kathleen Hanna (Bikini Kill), Le Tigre confronts sexism and homophobia in the music industry while tearing up the stage via performance art poetics, no-holds-barred lyrics, punk rock ethos, and whip-smart wit in this edgy and entertaining documentary. Directed by Kerthy Fix (STRANGE POWERS: STEPHIN MERRITT AND THE MAGNETIC FIELDS), WHO TOOK THE BOMP? LE TIGRE ON TOUR features never before seen live performances, archival interviews, and revealing backstage footage with these trail-blazing artists.

Increasingly anxious about his impending marriage to Nat (Rashida Jones) and thoroughly bored with his day job as a wedding photographer, Theo (Chris Messina) establishes a hobby: he's hired by clients to clandestinely snap voyeuristic photos of them as they go about their days. Things go smoothly until a sexy exhibitionist (Meital Dohan) leads him into an all-consuming obsession. As Theo stalks her day and night, the woman's mysterious public trysts send him reeling, forcing him to confront uncomfortable truths about his sex life at home. MONOGAMY is an acutely observed portrait of a relationship on the brink, a timely tale of masculinity tested by fantasy and fear of commitment.

At the end of WWII, 60 minutes of raw film, having sat undisturbed in an East German archive, was discovered. Shot by the Nazis in Warsaw in May 1942, and labeled simply "Ghetto," this footage quickly became a resource for historians seeking an authentic record of the Warsaw Ghetto. However, the later discovery of a long-missing reel complicated earlier readings of the footage. A FILM UNFINISHED presents the raw footage in its entirety, carefully noting fictionalized sequences (including a staged dinner party) falsely showing "the good life" enjoyed by Jewish urbanites, and probes deep into the making of a now-infamous Nazi propaganda film. A FILM UNFINISHED is a film of enormous import, documenting some of the worst horrors of our time and exposing the efforts of its perpetrators to propel their agenda and cast it in a favorable light.

After being released from prison for a crime he didn't commit, Harvey Miller (Attack The Block's Luke Treadaway) has revenge on his mind. He recruits his three best friends to help him rob the local drug kingpin whose betrayal put him away in the first place. As the kingpin catches wind of the con, Harvey's plan evolves into a suspenseful and exciting scheme full of surprising twists that will keep you guessing until the very end.

James Franco stars as the young Allen Ginsberg – poet, counter-culture adventurer and chronicler of the Beat Generation. In his famously confessional, leave-nothing-out style, Ginsberg recounts the road trips, love affairs and search for personal liberation that led to the most timeless and electrifying work of his career, the poem HOWL. Meanwhile, in a San Francisco courtroom, HOWL is on trial. Prosecutor Ralph McIntosh (Strathairn) sets out to prove that the book should be banned, while suave defense attorney Jake Ehrlich (Hamm) argues fervently for freedom of speech and creative expression. The proceedings veer from the comically absurd to the passionate as a host of unusual witnesses (Jeff Daniels, Mary-Louise Parker, Treat Williams, Alesssandro Nivola) pit generation against generation and art against fear in front of conservative Judge Clayton Horn (Bob Balaban). HOWL is simultaneously a portrait of a renegade artist breaking down barriers to find love and redemption and an imaginative ride through a prophetic masterpiece that rocked a generation and was heard around the world.

BANANAS!* is a suspenseful court room drama that examines the intricacies and injustices of the global politics of food. Focusing on a landmark and highly controversial legal case pitting a dozen Nicaraguan banana plantation workers against Dole Food Corporation, BANANAS!* uncovers the alleged usage of a banned pesticide and its probable link to generations of sterilized workers. Central to both the film and case is Juan “Accidentes” Dominguez, a Los Angeles-based personal injury attorney who, although iconic within the Latino community for his ubiquitous billboard ads, is unquestionably facing the biggest case and challenge of his career. At stake in the classic David vs. Goliath story are the futures of generations of workers and their families, as well as the culture of global, multinational business. If successful, the case could rock the economic foundations of Dole, and would open the US courts to other global victims, representing a new day in international justice.

Author Colin Beavan, in research for his next book, began the No Impact Project in November 2006. A newly self-proclaimed environmentalist who could no long avoid pointing the finger at himself, Colin leaves behind his liberal complacency for a vow to make as little environmental impact as possible for one year. No more automated transportation, no more electricity, no more non-local food, no more material consumption...no problem. That is, until his espresso-guzzling, retail-worshipping wife Michelle and their two year-old daughter are dragged into the fray. Laura Gabbert and Justin Schein's film provides a front row seat into the familial strains and strengthened bonds that result from Colin's and Michelle's struggle with this radical lifestyle change.

From Lance Bangs and Spike Jonze, acclaimed director of WHERE THE WILD THINGS ARE, comes A PORTRAIT OF MAURICE SENDAK, a loving look at one of the most cherished and controversial figures in children's literature. Featuring TELL THEM ANYTHING YOU WANT, this is a deeply moving tribute to Sendak, a seminal talent whose conflicts with success and lifelong obsession with death have subtly influenced his work. Now 81, Sendak is best known for his book, WHERE THE WILD THINGS ARE, which he wrote twelve years into his career as a writer and illustrator. WILD THINGS would go on to become one of the most beloved and critically lauded children's books of all time and, much to Sendak's chagrin, would come to define his career. Through his own words, personal photos, and illustrations, Sendak offers a rare, intimate, and unexpected look at his exceptional life. A TRIBUTE TO MAURICE SENDAK also features James Gandolfini, Meryl Streep, Catherine Keener, and Tony Kushner honoring their friend and colleague.

After 23 years working as a devoted maid in an upper class Chilean household, embittered and ailing Raquel (Sundance Film Festival and Gotham Award winner Catalina Saavedra) can no longer care for the family alone. Trapped by guilt, matriarch Pilar (Claudia Celedón) refuses to let Raquel go, even though it is clear their longtime maid is slowly unraveling. Instead, Pilar hires more help, throwing Raquel into a jealous frenzy. The seemingly happy home soon becomes the stage for Raquel's dirty tricks as she attempts to drive away anyone who threatens to take her place with darkly comedic, and in the end, endearing results.

October Country is a beautifully rendered portrait of an American family struggling for stability while haunted by the ghosts of war, teen pregnancy, foster care and child abuse. A collaboration between filmmaker Michael Palmieri and photographer and family member Donal Mosher, this vibrant and penetrating documentary examines the forces that unsettle the working poor and the violence that lurks beneath the surface of American life.

Two-time Academy Award nominee Samantha Morton's directorial debut THE UNLOVED is a powerful and personal look at the strength and resilience of youth. Morton tells the story of eleven-year-old Lucy (newcomer Molly Windsor) seeking refuge as a ward of the state from her abusive father (Robert Carlyle). Placed in a tumultuous foster home, Lucy befriends her rebellious teenage roommate Lauren (Lauren Socha), and together they navigate the cold and uncaring world before them. With a screenplay by Tony Grisoni (FEAR AND LOATHING IN LAS VEGAS) based on original material by Samantha Morton, THE UNLOVED captures the subtle magic and melancholy of childhood while painting an honest portrait of a girl torn between a broken family and an inept social system.

THE THORN IN THE HEART (L'Epine dans le Coeur) is a personal look at the life of Gondry family matriarch, Michel's aunt Suzette Gondry, and her relationship with her son, Jean-Yves. Michel examines Suzette's years as a school teacher and her life in rural France. During the course of filming the documentary, Michel unearths new family stories and uses his camera to explore them in a subtle and sensitive way. THE THORN IN THE HEART had its world premiere screening in the official selection at the 2009 Cannes Film Festival.

When twenty-year-old Ivy heads home Spring Break with a fresh romance in her heart, everything seems to be going perfectly. When her best friend Al finds himself without lodgings, Ivy and her mother take him in and Ivy and Al's friendship strengthens while her boyfriend grows more distant from afar. Increasingly distressed about her conflicting feelings, Ivy must stay resilient in the face of her epilepsy, lest her emotions become something she can't control. Marking Zoe Kazan's first leading role, Bradley Rust Gray's film is a meditative and realistic portrait of a young girl coming of age and finding a deeper kind of love in New York City.

A dramatization of the Montreal Massacre of 1989 where several female engineering students were murdered by an unstable misogynist.

Co-written by Oren Moverman and Alessandro Camon, THE MESSENGER is a powerful and tender story about a returned war hero making his first steps toward a normal life. In his first leading role, Foster stars as Will Montgomery, a U.S. Army officer who has just returned home from a tour in Iraq and is assigned to the Army's Casualty Notification service. Partnered with fellow officer Tony Stone (Harrelson) to bear the bad news to the loved ones of fallen soldiers, Will faces the challenge of completing his mission while seeking to find comfort and healing back on the home front. When he finds himself drawn to Olivia (Morton), to whom he has just delivered the news of her husband's death, Will's emotional detachment begins to dissolve and the film reveals itself as a surprising, humorous, moving and very human portrait of grief, friendship and survival. Featuring tour-de-force performances from Foster, Harrelson and Morton, and a brilliant directorial debut by Moverman, THE MESSENGER brings us into the inner lives of these outwardly steely heroes to reveal their fragility with compassion and dignity.

Anders Østergaard's award-winning documentary shows a rare inside look into the 2007 uprising in Myanmar through the cameras of the independent journalist group, Democratic Voice of Burma. While 100,000 people (including 1,000s of Buddhist monks) took to the streets to protest the country's repressive regime that has held them hostage for over 40 years, foreign news crews were banned to enter and the Internet was shut down. The Democratic Voice of Burma, a collective of 30 anonymous and underground video journalists (VJs) recorded these historic and dramatic events on handycams and smuggled the footage out of the country, where it was broadcast worldwide via satellite. Risking torture and life imprisonment, the VJs vividly document the brutal clashes with the military and undercover police – even after they themselves become targets of the authorities.

On November 5, 2001, Dr. Andrew Bagby was murdered in a parking lot in western Pennsylvania; the prime suspect, his ex-girlfriend Dr. Shirley Turner, promptly fled the United States for St. John’s, Canada, where she announced that she was pregnant with Andrew’s child. She named the little boy Zachary.

Gabriel Medina's wonderfully crafted debut feature is a fresh, visually innovative, and often hilarious glimpse into the lives of some very offbeat, yet human, characters. Thirty-something Luciano Gauna is odd. A failing screenwriter in Buenos Aires, Luciano lives in an almost intense state of paranoia, afraid of everything from STDs to even his doorman. When his childhood friend Manuel, a very successful TV producer, returns from Madrid with his stunning new girlfriend Sofia, his world is thrown into a near desperate funk. He discovers that Manuel has unflatteringly modeled him as the lead character on a successful Spanish TV show called THE PARANOIDS, which Manuel is now bringing to Argentina. When Manuel leaves on a business trip to Chile, Lucian's remaining grip on reality unravels when he's left alone with Sofia and her alluring charm.

Dallas Gilbert and Wayne Burton, best friends from a dying former steel town in Ohio, are out to convince the world that Bigfoot exists. They have amassed a vast library of video footage and still photographs of proof (their website is highly trafficked) after years of venturing into the forest, day and night, to the capture shots of the legendary creature in its native habitat. Dallas is the gregarious of the dyad is a Reiki master who uses Sasquatch calls into the wild and claims to have a sheep's bone in his skull; some claim Dallas to be one of the world's leading big foot researchers. Wayne is the repressed, emotional of the gang- a former high-school bully who currently works at a car wash and is living paycheck to paycheck. Seeking fame, fortune, and notoriety, Wayne and Dallas's friendship is tested when a nationally recognized high-profile California BF researcher makes a stop in their town. Director Jay Delaney's honest and often funny look at their lives, proves that Bigfoot certainly is alive and well in Wayne and Dallas' world. *Both Dallas and Wayne are happily married with kids.

FRONTRUNNERS is a smart and funny political documentary that follows the student council presidential campaign at one of the country's most prestigious public high schools: Stuyvesant High School in New York City. An entertaining and symbolic campaign film, put forth in classic verité style, we follow four charming and idiosyncratic candidates as they navigate an electoral process that is said to be one of the most competitive at the high school level. These teenaged candidates face the same issues as candidates of any age, such as picking the 'right' running mate, shaking as many hands as possible, preparing for televised debates, impressing the pundits and journalistic community, addressing sensitive race-related issues, and mobilizing an apathetic voter base. A microcosm of the U.S. Presidential elections, Caroline Suh's film shows politicking and pluralities through the lens of the adolescent experience.

The Buddhist concept of reincarnation, while both mysterious and enchanting, is hard for most westerners to grasp. UNMISTAKEN CHILD follows the 4-year search for the reincarnation of Lama Konchog, a world-renowned Tibetan master who passed away in 2001 at age 84. The Dalai Lama charges the deceased monk's devoted disciple, Tenzin Zopa (who had been in his service since the age of seven), to search for his master's reincarnation. Tenzin sets off on this unforgettable quest on foot, mule and even helicopter, through breathtaking landscapes and remote traditional Tibetan villages. Along the way Tenzin listens to stories about young children with special characteristics, and performs rarely seen ritualistic tests designed to determine the likelihood of reincarnation. He eventually presents the child he believes to be his reincarnated master to the Dalai Lama so that he can make the final decision. Stunningly shot, UNMISTAKEN CHILD is a beguiling, surprising, touching, even humorous experience.

YOUSSOU N'DOUR: I BRING WHAT I LOVE is a gorgeously photographed, music infused cinematic portrait of world famous Senegalese pop sensation Youssou N'Dour. Best known in the West for his collaborations with Bono and Peter Gabriel, N'Dour is one of the most beloved musicians in pop music and his legendary career has spanned decades. In 2004, responding to negative perceptions about his Muslim faith, N'Dour recorded EGYPT, a deeply spiritual album dedicated to a more tolerant view of Islam. In a critical and career-defining moment, the album was awarded the 2004 Grammy® for BEST WORLD MUSIC ALBUM. While Western audiences embraced N'Dour's brave musical message, it encountered a serious religious backlash in his native country of Senegal where N'Dour is considered a national hero. Local critics and the media accused him of insulting Islam, arguing that pop and religious music should not mix. Combining unprecedented images of Senegal's most sacred Muslim rituals, vibrant concert performances filmed around the world, and intimate access to N'Dour and his family, I BRING WHAT I LOVE chronicles the difficult path this remarkable artist must take. It is a stirring journey of faith, redemption, and the power of music to overcome intolerance.

When their mother needs to leave in order to find their estranged father, seven year-old Jin and her younger sister, Bin, are left to live with their Big Aunt for the summer. With only a small piggy bank and their mother's promise to return when it is full, the two young girls are forced to acclimate to changes in their family life. Counting the days, and the coins, the two bright-eyed young girls eagerly anticipate their mother's homecoming. But when the bank fills up, and with their mother still not back, Big Aunt decides that she can no longer tend to the children. Taken to live on their grandparents' farm, it is here that Jin comes to learn the importance of family bonds in this beautiful, meditative, and thought-provoking second feature from So Yong Kim, the acclaimed director of IN BETWEEN DAYS. Variety's Robert Koehler said of Kim's film: "drawing out beautifully natural performances from her child actors, Kim once again has a distinct way of letting her camera observe her characters with kind thoughtfulness, allowing for a quiet mood to wash over the scenes."

An Academy Award nominated documentary, THE GARDEN is an engaging and powerful look at the famous political and social battle over the largest community garden in the U.S (located in south central Los Angeles). A follow-up to Kennedy's award-winning documentary, OT: OUR TOWN, the film shows how the politics of power and greed (backroom deals, land developing, green politics, money) tragically intersect with working class families who rely on this communal garden for their livelihood. Equal parts THE WIRE and HARLAN COUNTY, USA, THE GARDEN, exposes the fault lines in American society and raises crucial and challenging questions about liberty, equality, and justice for the poorest and most vulnerable among us. Kenneth Turan of the LA Times said: "It's tempting to call "The Garden" a story of innocence and experience, of evil corrupting paradise, but that would be doing a disservice to the fascinating complexities of a classic Los Angeles conflict and an excellent documentary that does them full justice."

Robert Hanson (Jakob Cedergren) is a Copenhagen police officer who, following a nervous breakdown, is transferred to a small provincial town to take on the mysteriously vacated Marshall position and subsequently gets mixed up with a married femme fatale. Robert’s big city temperament makes it impossible for him to fit in, or understand the uncivilized, bizarre behavior displayed by the townspeople. Quickly spiraling downward into an intense fable reminiscent of the Coen Brothers’ BLOOD SIMPLE and NO COUNTRY FOR OLD MEN, TERRIBLY HAPPY displays a unique, often macabre vision of the darkest depths to which people will go to achieve a sense of security and belonging.

On the fringes of Dublin two kids, Kylie and Dylan, live in a suburban housing estate devoid of life, colour and the prospect of escape. Kylie lives with five other siblings and her overworked mother. Next door, Dylan lives in the shadow of an alcoholic father and the memory of an elder brother who ran away from home two years earlier. After a violent altercation with his father, Dylan runs away from home and Kylie decides to run away with him. Together they make their way to the magical night time lights of inner city Dublin, to search for Dylan's brother, and in the hope of finding, through him, the possibility of a new life. Lance Daly's vision of Dublin, as seen through the innocent eyes of our protagonists, is a kaleidoscope of magic, wonder and mystery. But as the night wears on, and Dublin takes on a darker character, the two kids have to rely on the kindness of strangers, the advice of Bob Dylan and their trust in each other to survive the night.

Proving why she is one of the most highly-regarded auteurs of current cinema, Kelly Reichardt's (OLD JOY) subtle storytelling technique uses a formal minimalist style to weave together a unique emotional and political road film. Wendy Carroll (Michelle Williams) is driving to Ketchikan, Alaska, in hopes of a summer of lucrative work at the Northwestern Fish cannery, and the start of a new life with her dog, Lucy. When her car breaks down in Oregon, however, the thin fabric of her financial situation comes apart, and she confronts a series of increasingly dire economic decisions, with far-ranging repercussions for herself and Lucy. WENDY AND LUCY addresses issues of sympathy and generosity at the edges of American life, revealing the limits and depths of people's duty to each other in tough times. Based on the short story "TRAIN CHOIR" by Jon Raymond.

On the corner of 155th Street and Frederick Douglas Boulevard in Harlem, New York, lies Rucker Park. By appearances, the green concrete pavement, anchored on either end by its run down slab bleachers, is no different than any other basketball court in the city. But this is the place where nicknames are earned and legends are made. On September 1, 2006, the top 24 high school basketball players in the nation stepped out on this same court that once saw the likes of Wilt Chamberlain, Kareem Abdul-Jabbar, and Dr. J to compete in the first annual "Boost Mobile Elite 24 Hoops Classic." GUNNIN' FOR THAT #1 SPOT documents these athletes' skills on the most legendary court in the world, showing never before seen footage of that "Elite 24" game. Directed by Adam Yauch (founding member of the Hip Hop trio the Beastie Boys and director of "Awesome; I Fuckin' Shot That"), the film follows eight of the country's premiere high school basketball players on the fast track to the NBA, as they are adored by fans, wooed by colleges and sneaker companies, and groomed to be in the spotlight of the multi-million dollar game. Blending this next generation of b-ball players with a mix of raw hip-hop, jazz, break beats, and Yauch's unique kinetic filmmaking, GUNNIN' is an explosively entertaining look at soon-to-be NBA All Stars. Oscilloscope Pictures presents GUNNIN' FOR THAT #1 SPOT, featuring Jerryd Bayless, Michael Beasley, Tyreke Evans, Donte Greene, Brandon Jennings, Kevin Love, Kyle Singler, and Lance Stephenson.

BEAUTIFUL LOSERS celebrates the spirit behind one of the most influential cultural moments of a generation. In the early 1990's a loose-knit group of like-minded outsiders found common ground at a little NYC storefront gallery. Rooted in the DIY (do-it-yourself) subcultures of skateboarding, surf, punk, hip-hop, and graffiti, they made art that reflected the lifestyles they led. Developing their craft with almost no influence from the "establishment" art world, this group, and the subcultures they sprang from, created a movement that transformed pop culture. Starring Shepard Fairey, OBEY founder and creator of the Barack Obama "Hope" poster; award-winning pro skater Ed Templeton; Harmony Korine, writer of the cult favorite KIDS and director of GUMMO and MISTER LONELY; and Mike Mills, director of THUMBSUCKER and designer of album covers for Beck, Beastie Boys, Sonic Youth, and more. Also starring Barry McGee, Chris Johanson, Geoff McFetridge, Jo Jackson, Margaret Kilgallen, Stephen Powers, and Thomas Campbell.

Wild Combination is director Matt Wolf’s visually absorbing portrait of the seminal avant-garde composer, singer-songwriter, cellist, and disco producer Arthur Russell. Before his untimely death from AIDS in 1992, Arthur prolifically created music that spanned both pop and the transcendent possibilities of abstract art. Now, over fifteen years since his passing, Arthur's work is finally finding its audience. Wolf incorporates rare archival footage and commentary from Arthur's family, friends, and closest collaborators—including Philip Glass and Allen Ginsberg—to tell this poignant and important story.

A provocative coming-of-age story, Jennifer Venditti’s debut film, BILLY THE KID (2007), is an acclaimed odyssey into the soul of an American teenager. Venditti follows Billy as he navigates small town Maine, grappling with isolation and first-time love, and traversing the frustrating gap between imagination and reality. Exhilarating and heartfelt, the film grants an intimate, empathetic view of an expressive and seemingly fearless outsider and provides an unvarnished and unique snapshot into what it’s like to grow up in America.

A group of New Yorkers caught up in their romantic/sexual milieu converge at Shortbus, an underground Brooklyn salon infamous for its blend of art, music, politics, and carnality, and loosely inspired by various underground NYC gatherings that took place in the early 2000s. Here, gay couple Jamie (PJ DeBoy) and James (Paul Dawson) meet Ceth (Jay Brannan), a young ex-model and aspiring singer.

SCOTT WALKER: 30 CENTURY MAN is a rare glimpse into the creative world of the most enigmatic figure in rock history, and will trace the undeniable impact he has had on popular music through casual interviews with some of his biggest, highest profile fans. We explore his fascinating trajectory, from jobbing bass player on LA's Sunset Strip, to his domination of the British pop scene that began in the swinging summer of 1965, to his transformation into a composer of true genius; an uncompromising and serious musician working at the peak of his powers. At age 63, over the course of 2005, he went into the studio again, working on what could be his greatest artistic statement yet - and we were invited to document part of this process – a privilege no filmmaker has ever been granted.

Social misfit Gretchen Finkle (Courtney Davis) has spent high school falling for losers, and senior year isn't any different. But when she becomes obsessed with bad boy Ricky (John Merriman), her mother sends her to an inpatient therapy clinic. Gretchen realizes she must take responsibility for her life and the choices she makes.

For years, a homeless community took root in a train tunnel beneath New York City, braving dangerous conditions and perpetual night. DARK DAYS explores this surprisingly domestic subterranean world, unearthing a way of life unimaginable to those above. Through stories simultaneously heartbreaking, hilarious, intimate, and off the cuff, tunnel dwellers reveal their reasons for taking refuge and their struggle to survive underground. Filmed in striking black and white with a crew comprised of the tunnel’s inhabitants and scored by legendary turntablist DJ Shadow (Endtroducing…), DARK DAYS remains a soulful and enduring document of life on the fringe.

Winner of the Grand Jury Prize and the Screenwriting Award at the 1994 Sundance Film Festival, WHAT HAPPENED WAS… is Tom Noonan’s directorial debut; a darkly humorous take on dating dread. Featuring powerhouse performances by Noonan and Karen Sillas as two lonely hearts spending one claustrophobic Friday night together in an imposing apartment, the film exposes with startling clarity the ways in which people struggle to connect. As relevant now as ever, O-Scope undertook a brand new 4K restoration from the film’s original 35mm negative and is making this pristine version widely available for the first time since the 90s.

RIVER OF GRASS (1994), Kelly Reichardt’s darkly funny debut feature, brought the writer/director back to the setting of her adolescence, the suburban landscape of southern Florida, where she grew up with her detective father and narcotics agent mother. Shot on 16mm, the story follows the misadventures of disaffected house-wife "Cozy", played by Lisa Bowman, and the aimless layabout "Lee", played by up and comer Larry Fessenden, who also acted as a producer and the film's editor. Described by Reichardt as "a road movie without the road, a love story without the love, and a crime story without the crime," RIVER OF GRASS introduces viewers to a director already in command of her craft and defining her signature style. This restoration was made possible by Oscilloscope Laboratories, Sundance Institute, UCLA Film and Television Archive, TIFF, and hundreds of Kickstarter backers.

Christopher Munch’s boldly original debut, THE HOURS AND TIMES (1992), is a fictional account of what might have happened in April 1963, when John Lennon and Beatles manager Brian Epstein traveled to Barcelona for an extended weekend getaway. In the four days they spend together, the suave Epstein (played by David Angus) and the provocative Lennon (Ian Hart in his first starring role) reflect on their lives, both private and professional, as they explore the unique bond they share. Munch’s sparse and intimate narrative, captured with exquisite black-and-white cinematography, is a thoughtful meditation on friendship and sexuality, crafted around a brief moment in the lives of two extremely well-known pop figures.

Diego Echeverria’s film skillfully represents the challenges residents of the Southside faced: poverty, drugs, gang violence, crime, abandoned real estate, racial tension, single-parent homes, and inadequate local resources. The complex portrait also celebrates the vitality of this largely Puerto Rican and Dominican community, showing the strength of their culture, their creativity, and their determination to overcome a desperate situation. Beautifully restored for the 30th anniversary premiere at the New York Film Festival, this documentary is an invaluable piece of New York City history.

Written, produced, and directed by Emmy Award-winning documentarian, Horace B. Jenkins, and crafted by an entirely African American cast and crew, CANE RIVER is a racially-charged love story in Natchitoches Parish, a “free community of color” in Louisiana. A budding, forbidden romance lays bare the tensions between two black communities, both descended from slaves but of disparate opportunity—the light-skinned, property-owning Creoles and the darker-skinned, more disenfranchised families of the area. This lyrical, visionary film disappeared for decades after Jenkins died suddenly following the film’s completion, robbing generations of a talented, vibrant new voice in African American cinema. Available now for the first time in forty years in a brand-new, state-of-the-art 4k restoration created by IndieCollect in association with the archive of the Academy of Motion Pictures Arts & Sciences.

Stations of the Elevated (1981) is a 45-minute city symphony directed, produced and edited by Manfred Kirchheimer. Shot on lush 16mm color reversal stock, the film weaves together vivid images of graffiti- covered elevated subway trains crisscrossing the gritty urban landscape of 1970s New York, to a commentary-free soundtrack that combines ambient city noise with jazz and gospel by Charles Mingus and Aretha Franklin. Gliding through the South Bronx, Brooklyn, Queens and Manhattan - making a rural detour past a correctional facility upstate - Stations of the Elevated is an impressionistic portrait of and tribute to a New York that has long since disappeared.

About WE CAN'T GO HOME AGAIN The most complete, newly restored version of Nicholas Ray’s experimental masterpiece, made with his students at the State University of New York at Binghamton, WE CAN'T GO HOME AGAIN embodies Ray’s approach to filmmaking as a communal way of life. The film records Ray’s groundbreaking use of multiple image as a way of telling more than one story simultaneously, and of colorization as a way to heighten emotional expression. He called it a “journalistic” film, one that shares the anthropologists’ aim of recording the “history, progress, manners, morals, and mores of everyday life,” at a critical moment in American history. Ray plays himself in the film, serving as mentor, friend, and reference point around whom the students’ stories constellate.

THE LAW (previously released in the US as Where the Hot Wind Blows) stars Gina Lollobrigida, Marcello Mastroianni, Yves Montand, Melina Mercouri, and Pierre Brasseur. Lollobrigida plays Marietta, the gorgeous housekeeper to Don Cesare (Brasseur), the patriarch of a small Mediterranean coastal town. Lusted after by many men, including Francesco (Montand), the son of a local crime boss, Marietta has her own desires, consisting of the poor Enrico (Mastroianni). Determined to secure the dowry that will enable her to marry Enrico, Marietta connives the men of the town by turning the tables on them using their own vicious drinking game which they call "The Law." Haden Guest, Director of the Harvard Film Archive called the film "a totally underrated and underappreciated gem."