
letterboxd user with “feelings, moving, crying” as their top rated nanogenre.

(Going to be catching up with films I've procrastinated on logging here once again; bear with me.) That one scene of military conscripts worshipping a Christian god through K-Pop was so phenomenally uncanny. I loved how it was portrayed in the eeriest way possible through the wide shots and sound design. It's been engraved on my mind.


