L'Avventura

Too bad I was a bit tired, but still. Interestingly, I liked the second half better. Surprisingly great technically, for the most part it hasn't aged. I liked the second half more, because I didn't really want to watch "Knife in the Water". The procedure with the change of the hero seemed very natural to me due to my fatigue - I am a bit surprised myself. Basically inability. Antonioni pulls out tattered relationships at every turn, not even one relatively successful one. From this angle, the work is a bit saturated with a lack of faith in people, doubts about love, and existentialism lurks somewhere in the background. The movie starts with the end and ends with the end. It is this ending – without a beginning – that becomes the essence. The final emptiness here is the beginning of considerations, not their conclusion. Beyond the obvious clues, there is their durability, immutability, progressive... inability. And obvious formal breakthroughs - respect. NS. 9/9