Khoi Dong

*[77]* Kane Parsons proves to us *again* that he completely understands liminal space horror and makes the subculture works so well. One of the most visually interesting films of this year for sure. The found footage aspect was done to perfection. Renate Reinsve world domination.

*[100]* Sometimes a film can just grip you from the first frame up until the credits roll with its energy. The ever turning wheel of violence is shown with an unflinching eye, just like Rocket’s camera lenses. The City of God, or the city that lack thereof is inescapable. But what can we do? In this society, you either eat or get eaten.

*[93]* Every single second of this film is so electric I still don’t understand how Marty did it.