The Dude

Me quedo con las imágenes, que acompañan muy bien la película y resultan muy interesantes. También destaco la dinámica entre los dos personajes principales, ya que refleja la realidad de la España franquista y nos ayuda a comprender el contexto histórico en el que se desarrolla la historia. 7.4/10

It lost all sense and I love it. 7.2/10

I was too hard on Tom Holland. I still think it has many of the same flaws as other MCU films: a predictable villain, overly expository dialogue, a finale that feels like it resolves things simply because the movie has to end, and a few other familiar issues. But at its core, it's a faithful adaptation of Spider-Man. It's a film that understands the character perfectly, fueled by one of the most comic book-like sensibilities I've seen in a long time, and finally a scene showcasing the complicity and love between Spider-Man and NYC. In the end, it arrives at a genuinely heartfelt conclusion through a story that explores the very essence of both Spider-Man and Peter Parker. It's by far the best film the Tom Holland era has given us **8.2/10**

Ozu comes to a coming-of-age-like story. While the active critique of consumerism in post-WW2 Japan is interesting, we must not ignore what else you can take from this film. It is a great way to talk about family dynamics while growing up, specifically the fact that people completely get muted, which prevents them from saying what they really want to say. It goes beyond a TV. I think it aims for a deeper emotional point regarding the barrier of talking to our parents about our struggles and how we shut ourselves down as we grow up, and our most captivating conversation is the weather. Maybe it's a stretch, and maybe I'm projecting, but that's what I got. 7.4/10