Gone Girl

david Fincher’s films are commercially perfect, and it’s not a bad thing. We could call him a master in this type of storytelling. David always manages to propose intriguing films, different and captivating thrillers that make you stick to the screen with a high-level directing technique and stories told really well. The doubt that arises at the first vision is on the final: a bitter, hard, a life lesson unsettling after that feeling of something that had to happen that Fincher was very good at maintaining for the duration. A final that divides the mass in two: who would have liked a decided ending, that gave an expected and final solution, who instead accepted this variation on the theme and appreciated this interesting choice of director. Interpretations of different types: that of the simply masterful Pike, that of Ben Affleck guessed, an unexpressivity in this case useful. Basically a great technical and narrative work by the usual Fincher (now almost a certainty for commercial cinema) that hits us in the face always heavy themes to think about for days and days.