
My reviews are either serious or silly or both. > Hey, I'm a child of divorce, give me a break [Serializd ](https://srlzd.com/u/Elion)[TikTok](https://www.tiktok.com/@elion_yy?_t=ZN-8xoL1ZH2x7O&_r=1)

The like feature of Letterboxd is a highly discussed metric. What does it really measure? What do you use it for? How does it contribute to the movie or your rating? I'll let you in on what I use the like for: for when a movie has an emotional connection to me. As you have already guessed, Remarkably Bright Creatures was able to find a small place in my heart and actually made my eyes watery. THRICE. This film is beautiful, its documentary wise perspective style from the Octopus so strongly voiced by Alfred Molina gave it a unique touch that let the generic concept of the movie bear fruits it couldn't have any other how. Lewis Pullman with a super authentic performance that brings this raw slice-of-life yet magical flair to Cameron that makes the relationships he makes feel superbly emotional. And then there would be Sally Field who gives this movie its final quality, she transforms this old cleaning lady into a whole identity that you can feel for and build a connection with. A truly beautiful film, although the story is simple it's heartwarming and one of those few times Netflix actually brought some quality to their service. I really hope this wins the Emmy. Minor masterpiece, definitely earned that title after making my eyes water up like 3 times in the last 15 minutes.

Not as terrible as I had thought it to be, actually even close to just being mid. The biggest problem is the big picture frame they put around a fairly grounded mutant story about teenagers in a psychiatry, that make it seem like there is a big conspiracy going on, which feels like entirely cut from the ending and as if we're missing at least another 30 to 40 minutes. A lot of this is giving Girl, Interrupted. It definitely has similar fever dream vibes. There are a few good things in here: the dynamics between certain characters work well and the general concept is actually fantastic, a real story to tell about fears and coming-of-age but put in the X-Men universe, something I've been demanding from comic book movies for a long time, just that they never seem to get it right. However, Anya Taylor-Joy as Magik healed me like 10% to the least. > I'm gonna marry that girl. Yes Berto, me too. Me too. > He's right, it's magic. > **So am I.** Nevertheless, a bad movie overall, doesn't reach deeper than surface and 'enough to get the gist of the theme-'level. Jonathan Byers needs to lay off the accent, please!

Crazy how everyone is flaming 2011 Reynold's Green Lantern when the animated ones aren't much better 😂 This movie did 2 things correctly 1st cast Nathan Fillion 2nd Mogo That's it. The rest is mainly bad or meh Couldn't begin to care, might be nighttime stories to fall asleep to

I never really knew how much I missed out on peak with Logan. It's one of those few only mainstream Marvel/X-Men movies that just flew over my head, but now that I have seen it, I have to say it's absolutely peak. Logan is a minor masterpiece that builds off long love for its characters and the mutant universe, while still being able to establish an entirely new setting with more or less same old threats but this time the characters, their emotions and their final breaths at heart. Rarely ever can a comic book movie evoke as many emotions as Logan. It's a beautiful story with heartbreaking dynamics and relationships. Needless to say with an actual good plot that is quite refreshing as it serves as a final redemption and as a greater cause, just one that Logan won't see himself. Definitely deserves a like for how sad and heartbreaking this movie was. Additionally, seeing not only 1 but 2 clawed killers is awesome. It's rare that an adolescent character is sufferable, but here Laura is everything, what an odyssey that led to this deserved final, good rest.