
***My Top Lists: *** ***[2021](https://letterboxd.com/samessss/list/2021-ranked/)***, ***[2022](https://letterboxd.com/samessss/list/2022-ranked/)***, [**2023**](https://letterboxd.com/samessss/list/2023-ranked/), ***[2024](https://letterboxd.com/samessss/list/2024-ranked/)***, ***[2025](https://boxd.it/C2CKo), [2026](https://boxd.it/RUcq6)*** ***My Favourite First Watches:*** ***[2022](https://letterboxd.com/samessss/list/2022-favourite-first-watches/)***, ***[2023](https://letterboxd.com/samessss/list/2023-favourite-first-watches/)*****, *[2024](https://letterboxd.com/samessss/list/2024-favourite-first-watches/), [2025](https://boxd.it/C3udS), [2026](https://boxd.it/SmBQY)*** ****


A film about the invisible labour behind the most famous military operation in history. Scott carries the film on his shoulders, embodying the meteorologist as an unwilling oracle, someone who understands the weather but can't make others listen. Fraser is staggeringly miscast, moving awkwardly in the role, never quite settling into the authority the part requires, though the film doesn't entirely depend on him. At 110 minutes, it stretches thin in the middle, the score working overtime to maintain tension that the dialogue alone can't quite sustain. But there's real power in watching intelligent people trapped by their own inability to control outcomes. I feel like if this was the hands of an Edward Berger type it would have had the tension and anxiety the subject deserves.

This cosmic horror short is a slow excavation of dread, where the real terror lies not in what's visible but in what refuses to be explained. Shot in the Cornish landscape, it uses the forest and isolation as a psychological weapon; becoming sinister, as if something ancient and incomprehensible has seeped into the soil. The restrained formalism channels Jonathon Glazer's unsettling ambiguity and Mark Jenkin's mastery of atmospheric density, letting silence and composition do the heavy lifting. What unfolds in that birdwatching hut resists conventional logic, operating on a wavelength where the rational and the uncanny collapse into each other. A genuinely haunting piece that understands that mystery is far more effective than revelation.

This cosmic horror short is a slow excavation of dread, where the real terror lies not in what's visible but in what refuses to be explained. Shot in the Cornish landscape, it uses the forest and isolation as a psychological weapon; becoming sinister, as if something ancient and incomprehensible has seeped into the soil. The restrained formalism channels Jonathon Glazer's unsettling ambiguity and Mark Jenkin's mastery of atmospheric density, letting silence and composition do the heavy lifting. What unfolds in that birdwatching hut resists conventional logic, operating on a wavelength where the rational and the uncanny collapse into each other. A genuinely haunting piece that understands that mystery is far more effective than revelation.