Minari

Manari is the kind of film that doesn’t fully reveal its crushing impact until the end when all the emotions come rushing in and you realize you’ve experienced something truly special. Lee Isaac Chung gently eases you into this family’s world perfectly , until it feels like you’re one of them. You laugh with them as if you’re right there playing cards with your grandma. You feel their love in every tender moment , and their pain in every fractured glance from Steven Yeun and every instance where hope seems to slip away all barreling down on you with a monster of a finish followed by one of the greatest most impactful end scores of all time  Thank you Emile Mosseri for creating something special though every note