TÁR

4/12 This film is so deserving of praise, of every positive adjective.  Cate Blanchett is probably indeed the greatest actress I have ever watched. She was already amazing in Blue Jasmine, yet she somehow still finds a way to be a revelatory force in Tar. Much of Tar is just meticulously made. Its screenplay, which I really do have to read, is inspiring in the sense that while I do not fully understand many of the cultural nuances spoken, it’s still very much captivating. Maybe it’s because of Blanchett and the physicality in her acting, but the dialogue was alluring and engaging.  Several conversations also made me want to immerse myself further in culture. I want to be that cultured. The direction is top-notch. I would not call it impeccable, but it’s almost there. It would have been impeccable if Todd Field made up his mind between either setting it in Thailand or the Philippines… the ending is jarring but it’s made even more so when it’s set in the Philippines, but it portrays Thailand. Nonetheless though, this was a work of art that I wouldn’t have minded being longer. I was completely entranced by it. Noemie Merlant and Nina Hoss give authentic performances as well. I particularly liked Merlant’s facial expressions and glances. So fantastic!