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Glad I held off on this. I needed a treat and it’s important to have late in the year entries complicate my annual rankings. Kinki presents a challenge for some extremely effective horror. This is another masterpiece from an auteur that’s brutally incisive and relevant despite the delay in availability. Is it ethical to give this a top spot for the year when it’s really a 2023 movie?
This is so fucking cool. Got some Croneybone vibes (probably from the color temperature and some Shore-ish scoring), tons of fantastic Hitchcock, your neo noir, etc. Still, this is a fascinating view of Japan. A fascinatingly idiosyncratic film that - for all that it evokes - just explodes in different directions.
Sorry, getting distracted because the Criterion app started autoplaying Megadoc…