What made Mona Lisa smile? Es una sonrisa eterna.
Really taken with this. It’s nice to see a neo-noir confined to the grey cityscapes of 80s London. So many gorgeous moments throughout this complicated journey of growth and regression, so many moments that make you sick to your stomach. Hoskins and Tyson are impeccable, each pulling one another towards different nodes; each ruining the other through hope, each enlightening the other through depravity. I’m unsure about certain aspects- Jordan gets a little lost in his own web of duplicitous world views towards the end and doesn’t explore the open ended nature of what he presents satisfyingly enough for questions to be accepted- but it’s still really good. Caine is menacingly crooked, an inversion of his most famous roles from the previous two decades and Coltrane is a welcome comfort when the plot dives to deeper and darker caverns. Really impressed.
What made Mona Lisa smile? Es una sonrisa eterna.
Really taken with this. It’s nice to see a neo-noir confined to the grey cityscapes of 80s London. So many gorgeous moments throughout this complicated journey of growth and regression, so many moments that make you sick to your stomach. Hoskins and Tyson are impeccable, each pulling one another towards different nodes; each ruining the other through hope, each enlightening the other through depravity. I’m unsure about certain aspects- Jordan gets a little lost in his own web of duplicitous world views towards the end and doesn’t explore the open ended nature of what he presents satisfyingly enough for questions to be accepted- but it’s still really good. Caine is menacingly crooked, an inversion of his most famous roles from the previous two decades and Coltrane is a welcome comfort when the plot dives to deeper and darker caverns. Really impressed.
