The Goldeneye-esque Y2K aesthetics for this grand techno-thriller do not save Shiri from a muddled second act, but the first and third act totally rule. With such potent aesthetics and an exceptionally sad and melodramatic conclusion, Shiri proves to be more than just a nationalistic blockbuster while also being a satisfying one too.
The Goldeneye-esque Y2K aesthetics for this grand techno-thriller do not save Shiri from a muddled second act, but the first and third act totally rule. With such potent aesthetics and an exceptionally sad and melodramatic conclusion, Shiri proves to be more than just a nationalistic blockbuster while also being a satisfying one too.
