Idk if i can watch movies about evil people, it just is a bit unbearable. however i did willingly watch the entire thing so i did put myself in this situation.

I thought it was fine, the grading was pretty cool i like grimy looking films so.

but other than that this was a hard watch nazis are scum

Idk if i can watch movies about evil people, it just is a bit unbearable. however i did willingly watch the entire thing so i did put myself in this situation.

I thought it was fine, the grading was pretty cool i like grimy looking films so.

but other than that this was a hard watch nazis are scum

when you read mein kampf for fine shyt so she lets you hit

when you read mein kampf for fine shyt so she lets you hit

Geoffrey Wright’s, Romper Stomper is gritty, violent, and at times, hard to watch. Though, at the same time, it’s damn important, displaying subject matter that most other Aussie films are  too scared to touch upon.

Wright uses the inner-Melbourne suburb of Footscray, known for its diverse multicultural backgrounds, as the backdrop for violence. The Neo-Nazi “Skinhead” gang, feuds with the Vietnamese community of the neighbourhood, mirroring real life racial feuds of 1990’s Melbourne. In fact, the film was inspired by the real life crimes of Melbourne based Neo-Nazi Dane Sweetman, with Russel Crowe’s character, Hando, acting as a sort of stand in for Sweetman.

And though the film was inspired by the racial prejudices of over thirty years ago, Far-right groups staging white supremacist protests in Melbourne streets and shopping malls, showcases that Romper Stomper is still as relevant as it ever was, with the film forever able to serve as a reminder to the dangers of indoctrination, and the evils of xenophobia.

Geoffrey Wright’s, Romper Stomper is gritty, violent, and at times, hard to watch. Though, at the same time, it’s damn important, displaying subject matter that most other Aussie films are  too scared to touch upon.

Wright uses the inner-Melbourne suburb of Footscray, known for its diverse multicultural backgrounds, as the backdrop for violence. The Neo-Nazi “Skinhead” gang, feuds with the Vietnamese community of the neighbourhood, mirroring real life racial feuds of 1990’s Melbourne. In fact, the film was inspired by the real life crimes of Melbourne based Neo-Nazi Dane Sweetman, with Russel Crowe’s character, Hando, acting as a sort of stand in for Sweetman.

And though the film was inspired by the racial prejudices of over thirty years ago, Far-right groups staging white supremacist protests in Melbourne streets and shopping malls, showcases that Romper Stomper is still as relevant as it ever was, with the film forever able to serve as a reminder to the dangers of indoctrination, and the evils of xenophobia.

Russell Crowe and that one amazing invasion scene is all there is to this film, later half pacing is really odd and confusing creative wise. Felt like story didn’t reach a satisfying conclusion although there wasnt much story there to begin with

What compelled Mox to make a storyline inspired by this if he’s Hando and Yuta is Gabe… is Danielson supposed to be Davey?

Russell Crowe and that one amazing invasion scene is all there is to this film, later half pacing is really odd and confusing creative wise. Felt like story didn’t reach a satisfying conclusion although there wasnt much story there to begin with

What compelled Mox to make a storyline inspired by this if he’s Hando and Yuta is Gabe… is Danielson supposed to be Davey?

A very well done film. A gripping look into the life of a skinhead. While they aren’t sympathetic by any stretch (these are white supremacists, after all), the characters feel human and not just two-dimensional villains, and you see a side of the characters that make them compelling. It’s a very grimy and unrelenting film and it doesn’t feel like an after school special.

A very well done film. A gripping look into the life of a skinhead. While they aren’t sympathetic by any stretch (these are white supremacists, after all), the characters feel human and not just two-dimensional villains, and you see a side of the characters that make them compelling. It’s a very grimy and unrelenting film and it doesn’t feel like an after school special.