Midnight backdrop
Midnight logo
1982·Horror·1h 34m
7.0
While hitchhiking to escape an abusive home life, a teenage girl is picked up by a couple on a camping trip. The trip turns deadly when a group of Satanists, hellbent on resurrecting their dead mother, attack the campers.
Directed by John A. Russo
backwoods
satanic cult

Cast

Lawrence Tierney
Lawrence Tierney
Bert Johnson
John Amplas
John Amplas
Abraham

Crew

Tom Savini
Tom Savini
Makeup Artist
Tom Savini
Tom Savini
Special Effects
S. William Hinzman
S. William Hinzman
Still Photographer

Popular Reviews

8 reviews
Somto Umelo
Somto Umelo
Midnight
Okay I kinda love this film and how schizophrenic it is tone- and genre-wise. Like, are we a slasher film, a road horror film, a political message film, or a psycho-family-thriller? Fuck it, let’s be all of them. I think the former 3 elements are my fave segments of the film and leaning into that would have made the film work better. I adore how the film attempts to weave in social commentary especially around racism in rural areas, with its black characters, especially Hank my baby boy.

I wish the film had focused entirely on Hank and Tom (the guys who pick up our final girl) as protagonists, because I found them more interesting and compelling than the final girl (can’t even remember here name). Their friendship is so cute and 💕⭐️🫂, and I was really devastated when they died. Such an empty feeling and it shows how effective a horror film is when you care about the characters. They were lovers in my heart.

Outside of those 2 boys though, this film is kinda a nothing burger, so I’m just glad they got a substantive amount of screentime.

I really love the witchy and culty aesthetic of the film, and I think the film should’ve been a road slasher while still keeping those aesthetics. The kills are quite brutal too.

But oh well, this is still a great time to spend 90 minutes.
Okay I kinda love this film and how schizophrenic it is tone- and genre-wise. Like, are we a slasher film, a road horror film, a political message film, or a psycho-family-thriller? Fuck it, let’s be all of them. I think the former 3 elements are my fave segments of the film and leaning into that would have made the film work better. I adore how the film attempts to weave in social commentary especially around racism in rural areas, with its black characters, especially Hank my baby boy.

I wish the film had focused entirely on Hank and Tom (the guys who pick up our final girl) as protagonists, because I found them more interesting and compelling than the final girl (can’t even remember here name). Their friendship is so cute and 💕⭐️🫂, and I was really devastated when they died. Such an empty feeling and it shows how effective a horror film is when you care about the characters. They were lovers in my heart.

Outside of those 2 boys though, this film is kinda a nothing burger, so I’m just glad they got a substantive amount of screentime.

I really love the witchy and culty aesthetic of the film, and I think the film should’ve been a road slasher while still keeping those aesthetics. The kills are quite brutal too.

But oh well, this is still a great time to spend 90 minutes.
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Ghost
Ghost
Midnight
Midnight is a very weird film that feel like the first draft of the script,The only good thing i can say about this was the killers maybe i'm a bit biassed as i really love John Amplas but the idea of the murderous family is quite interesting and i do wish they spent more time developing the family over the survivors especially when you're just going to kill them off quite quickly but there's one thing that really is a turn off for this film and that's the way they try to make the stepdad a hero even though our main protagonist ran away cause he sexually assaulted her so why try make him the hero.
Midnight is a very weird film that feel like the first draft of the script,The only good thing i can say about this was the killers maybe i'm a bit biassed as i really love John Amplas but the idea of the murderous family is quite interesting and i do wish they spent more time developing the family over the survivors especially when you're just going to kill them off quite quickly but there's one thing that really is a turn off for this film and that's the way they try to make the stepdad a hero even though our main protagonist ran away cause he sexually assaulted her so why try make him the hero.
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The
The
Midnight
Grimy, sleazy, boring.
Grimy, sleazy, boring.
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Sean Telepo
Sean Telepo
Midnight
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Sam David
Sam David
Midnight
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