Boyz 2 men but instead of rnb im just sad

Boyz 2 men but instead of rnb im just sad

The outhouse scene one of our greatest bits. Never fails. Hilarious when the other friend comes strolling up at the end, all through Hou Hsiao-Hsien‘s wide lens.

The outhouse scene one of our greatest bits. Never fails. Hilarious when the other friend comes strolling up at the end, all through Hou Hsiao-Hsien‘s wide lens.

Coming-of-age: 10% romance, 90% realizing life is expensive.

Coming-of-age: 10% romance, 90% realizing life is expensive.

goodness gracious; i certainly need to watch more of hou’s oeuvre that isn’t the assassin!

this pulls you in instantly and immerses you into two separate, but not altogether different cityscapes. the characters are charming, flawed, and ceaselessly fun to watch. 

the main character has two distinct transformations, each recontextualizing his mannerisms from before. 

the classical score that backs the film is almost too much, but it mostly works. most notable for me is probably the framing; beautiful and observant

goodness gracious; i certainly need to watch more of hou’s oeuvre that isn’t the assassin!

this pulls you in instantly and immerses you into two separate, but not altogether different cityscapes. the characters are charming, flawed, and ceaselessly fun to watch. 

the main character has two distinct transformations, each recontextualizing his mannerisms from before. 

the classical score that backs the film is almost too much, but it mostly works. most notable for me is probably the framing; beautiful and observant

Can definitely see the influence that Yang took from this, I will say it got better and better as it went on. Great third act but in retrospect the first act doesn’t do much. 

7/10

Can definitely see the influence that Yang took from this, I will say it got better and better as it went on. Great third act but in retrospect the first act doesn’t do much. 

7/10