i absolutely love how this film explores imagination, the beauty of new sights through tourism and how expressive filmmaking truly is. knowing that jean rollin just filmed two women walking around new york then decided to create a plot afterwards is oddly inspirational.
i’ve never been one person to really care about how great the cinematography in a film is unless it really affects me. but this film pulls sort of a koyaanisqatsi except with subjects to compliment. beautiful imagery with dreamy side effects translating into a utopia out of reach. you watch a film like this and totally forget this is the world we actually have yet it’s not enough.
jean rollin’s narrative circling around randomly filmed footage becomes poetic. visual poetry about maturity longing the sense of youth. using very sloppy cuts to initiate the flaws in filmmaking that compliment the rawness that is in reality. as a experimental film, maybe it’s saying that we’re an experiment that might’ve went right.
i absolutely love how this film explores imagination, the beauty of new sights through tourism and how expressive filmmaking truly is. knowing that jean rollin just filmed two women walking around new york then decided to create a plot afterwards is oddly inspirational.
i’ve never been one person to really care about how great the cinematography in a film is unless it really affects me. but this film pulls sort of a koyaanisqatsi except with subjects to compliment. beautiful imagery with dreamy side effects translating into a utopia out of reach. you watch a film like this and totally forget this is the world we actually have yet it’s not enough.
jean rollin’s narrative circling around randomly filmed footage becomes poetic. visual poetry about maturity longing the sense of youth. using very sloppy cuts to initiate the flaws in filmmaking that compliment the rawness that is in reality. as a experimental film, maybe it’s saying that we’re an experiment that might’ve went right.
