I'm sorry, I just didn't find it very....moving.
Iris (Kelsey Asbille), grieving the loss of her young son, contemplates ending it all on a hike. A chance encounter with Richard (Finn Wittrock), helps her to see the light, only for things to get very dark when he injects her with a paralytic drug and stalks her through the woods as her body begins to shut down.
This thriller just landed on Netflix, fresh out of Sam Raimi's production house oven. Directors Schindler and Netto make a decent effort of wringing each and every drop of tension possible out of the pretty unique scenario.
Asbille conveys a lot with very little action, while Wittrock is a little more of the OTT stock standard killer type, I do like that the screenplay applies a psychologial origin for his particular fetish.
Perhaps most impressive of all is that this is a film that will actually make you root for a police officer at a traffic stop AND you will even believe he is competent!
The magic of cinema.
I'm sorry, I just didn't find it very....moving.
Iris (Kelsey Asbille), grieving the loss of her young son, contemplates ending it all on a hike. A chance encounter with Richard (Finn Wittrock), helps her to see the light, only for things to get very dark when he injects her with a paralytic drug and stalks her through the woods as her body begins to shut down.
This thriller just landed on Netflix, fresh out of Sam Raimi's production house oven. Directors Schindler and Netto make a decent effort of wringing each and every drop of tension possible out of the pretty unique scenario.
Asbille conveys a lot with very little action, while Wittrock is a little more of the OTT stock standard killer type, I do like that the screenplay applies a psychologial origin for his particular fetish.
Perhaps most impressive of all is that this is a film that will actually make you root for a police officer at a traffic stop AND you will even believe he is competent!
The magic of cinema.
