The next stop on my Unseen Coen Brothers Watch-through is The Man Who Wasn’t There, which was unfortunately not for me.
Noir has never been my genre to begin with and while I found Roger Deacons’s Oscar nominated cinematography gorgeous, I found the story and performances quite cold. Not a lot to grab onto for me.
I did however find myself going “man what a face” with every closeup on Billy Bob, truly leaning into his destiny as a Rich Man’s Harry Dean Stanton. Faces like this are what is missing from modern movies. The Instamgrification of movie stars has led to everyone looking the same and has left no room for character actor faces.
This is the start of the Coen’s only fallow period, but, having randomly seen The Ladykillers 20 years ago, I only have one film in this period: Intolerable Cruelty.
The next stop on my Unseen Coen Brothers Watch-through is The Man Who Wasn’t There, which was unfortunately not for me.
Noir has never been my genre to begin with and while I found Roger Deacons’s Oscar nominated cinematography gorgeous, I found the story and performances quite cold. Not a lot to grab onto for me.
I did however find myself going “man what a face” with every closeup on Billy Bob, truly leaning into his destiny as a Rich Man’s Harry Dean Stanton. Faces like this are what is missing from modern movies. The Instamgrification of movie stars has led to everyone looking the same and has left no room for character actor faces.
This is the start of the Coen’s only fallow period, but, having randomly seen The Ladykillers 20 years ago, I only have one film in this period: Intolerable Cruelty.