2012·Drama·1h 45m
7.1
★
While working alongside his long-time friend and colleague in building a hospital for the residents of a Buenos Aries shantytown, a troubled priest finds solace in a young, atheist social worker.
Directed by Pablo Trapero
Trailer
IMDB
N/A
Where to Watch
Cast
Ricardo Darín
Julián
Jérémie Renier
Nicolás
Martina Gusmán
Luciana
Federico Barga
Monito
Walter Jakob
Lisandro
Mauricio Minetti
Cruz
Susana Varela
Carmelita
Miguel Zárate
Altamirano
Crew
Pablo Trapero
Director
Pablo Trapero
Writer
Alejandro Fadel
Writer
Santiago Mitre
Writer
Michael Nyman
Original Music Composer
Pablo Trapero
Editor
Nacho Ruiz Capillas
Editor
Pablo Trapero
Executive Producer
Juan Gordon
Producer
Juan Vera
Producer
Pablo Trapero
Producer
Jean-Pierre Dardenne
Thanks
Popular Reviews
8 reviews
tomi
6.0★ · 02/07/26
El romance tenía que ser entre Darín y el rubio no la vieron
El romance tenía que ser entre Darín y el rubio no la vieron
Sophia
10.0★ · 11/11/25
Luciana = hilda furacão
Luciana = hilda furacão
jota florez
Pablo Trapero presents us with another film in which he is not afraid of authoritarianism, of crudely showing Argentine problems such as those who are missing, tortured and murdered.
In the case of this film, Elefante Blanco talks about the slums in Buenos Aires, he tells us about the marginalized life between misery, filth and vices.
The use and OVERUSE of the sequence shot in this film is perfect, there are even moments when I get dizzy because it seems like an endless labyrinth. The photography combines masterful shots in choral compositions where the neighbors, the police and the priests move according to a kind of self-absorbed neighborhood choreography.
In the case of this film, Elefante Blanco talks about the slums in Buenos Aires, he tells us about the marginalized life between misery, filth and vices.
The use and OVERUSE of the sequence shot in this film is perfect, there are even moments when I get dizzy because it seems like an endless labyrinth. The photography combines masterful shots in choral compositions where the neighbors, the police and the priests move according to a kind of self-absorbed neighborhood choreography.
Pablo Trapero presents us with another film in which he is not afraid of authoritarianism, of crudely showing Argentine problems such as those who are missing, tortured and murdered.
In the case of this film, Elefante Blanco talks about the slums in Buenos Aires, he tells us about the marginalized life between misery, filth and vices.
The use and OVERUSE of the sequence shot in this film is perfect, there are even moments when I get dizzy because it seems like an endless labyrinth. The photography combines masterful shots in choral compositions where the neighbors, the police and the priests move according to a kind of self-absorbed neighborhood choreography.
In the case of this film, Elefante Blanco talks about the slums in Buenos Aires, he tells us about the marginalized life between misery, filth and vices.
The use and OVERUSE of the sequence shot in this film is perfect, there are even moments when I get dizzy because it seems like an endless labyrinth. The photography combines masterful shots in choral compositions where the neighbors, the police and the priests move according to a kind of self-absorbed neighborhood choreography.
angelina
7.0★ · 02/24/26
ThiagoOrue
6.0★ · 03/31/24