The General Line (or Old and New) isn’t quite the revolutionary and overtly political epic that one has come to correlate with Sergei Eisenstein. While the thematics and story runs in much the same vain as his other works, it’s a more grounded in its rural setting even if it still plays like a spectacle.
The Bull God in the sky scene was, for the lack of a better word, awesome. And generally, while the film might be longer than need be, Eisenstein’s direction and knack for editing along with the film’s commanding cinematography all make it well worth watching.
The General Line (or Old and New) isn’t quite the revolutionary and overtly political epic that one has come to correlate with Sergei Eisenstein. While the thematics and story runs in much the same vain as his other works, it’s a more grounded in its rural setting even if it still plays like a spectacle.
The Bull God in the sky scene was, for the lack of a better word, awesome. And generally, while the film might be longer than need be, Eisenstein’s direction and knack for editing along with the film’s commanding cinematography all make it well worth watching.