Kennedy

GTA Mumbai. Directed by Anurag Kashyap

Oh Mr. Kashyap, what a great watch.
The film starts off slow, but Kashyap’s dark, moody Mumbai makes it engaging from the get-go, in fact, enjoyable to sit through. That initial slow pace actually works in its favor, helping justify the film’s rhythm as it progresses. Rahul Bhat as Uday Shetty, a man of few words, delivers a compelling performance, carrying deep, suppressed emotions that make him feel almost numb to the world around him. His silence becomes a strength, constantly keeping you curious about what’s going on in his mind. The film rarely feels dull, and the internal politics within the police force adds an interesting layer. Sylvester Fonseca’s cinematography beautifully captures the quiet, shadowy Mumbai nights, enhancing the film’s tone, while the supporting cast also delivers solid performances. Hilarious surprise cameo by V G*. The film builds up to an interesting climax.
On the downside, Sunny Leone’s character feels largely unnecessary, with minimal screen time and little impact on the story. While she works in the lighter, drunk scenes, her performance lacks depth in emotional moments. Another drawback is the use of trap music. While Boyblanck’s music is good on its own, it doesn’t quite match the film’s grounded, dark aesthetic and feels slightly out of place, though the rest of the soundtrack works well.
Overall, it’s worth watching for its performances, strong atmosphere, cinematography, and engaging storytelling.

GTA Mumbai. Directed by Anurag Kashyap

Oh Mr. Kashyap, what a great watch.
The film starts off slow, but Kashyap’s dark, moody Mumbai makes it engaging from the get-go, in fact, enjoyable to sit through. That initial slow pace actually works in its favor, helping justify the film’s rhythm as it progresses. Rahul Bhat as Uday Shetty, a man of few words, delivers a compelling performance, carrying deep, suppressed emotions that make him feel almost numb to the world around him. His silence becomes a strength, constantly keeping you curious about what’s going on in his mind. The film rarely feels dull, and the internal politics within the police force adds an interesting layer. Sylvester Fonseca’s cinematography beautifully captures the quiet, shadowy Mumbai nights, enhancing the film’s tone, while the supporting cast also delivers solid performances. Hilarious surprise cameo by V G*. The film builds up to an interesting climax.
On the downside, Sunny Leone’s character feels largely unnecessary, with minimal screen time and little impact on the story. While she works in the lighter, drunk scenes, her performance lacks depth in emotional moments. Another drawback is the use of trap music. While Boyblanck’s music is good on its own, it doesn’t quite match the film’s grounded, dark aesthetic and feels slightly out of place, though the rest of the soundtrack works well.
Overall, it’s worth watching for its performances, strong atmosphere, cinematography, and engaging storytelling.

i need a re-watch

i need a re-watch

I have officially watched all of the unreleased gems on the letterboxd store! This is unfortunately the weakest one!

I do love the LA noir style of cinematography and lighting in this film. The commentary on political corruption has some potential but otherwise falls flat. It is way too long and has side plots that go essentially nowhere especially with Charlie. I also do not feel any sympathy for the main character even if they are trying to get the audience to pity him for his heinous crimes. I am glad that I did watch it but will not be disappointed if I never see it again.

I have officially watched all of the unreleased gems on the letterboxd store! This is unfortunately the weakest one!

I do love the LA noir style of cinematography and lighting in this film. The commentary on political corruption has some potential but otherwise falls flat. It is way too long and has side plots that go essentially nowhere especially with Charlie. I also do not feel any sympathy for the main character even if they are trying to get the audience to pity him for his heinous crimes. I am glad that I did watch it but will not be disappointed if I never see it again.

This is how you make Indian Rom-Com!!! What a vision

This is how you make Indian Rom-Com!!! What a vision

This is probably the richest-looking Kashyap movie. I loved the integration of fusion hip-hop (I never expected that to be on Anurag's Spotify Wrapped). however, the story itself seems pretty one-dimensional.

This is probably the richest-looking Kashyap movie. I loved the integration of fusion hip-hop (I never expected that to be on Anurag's Spotify Wrapped). however, the story itself seems pretty one-dimensional.