Kennedy
2023·Crime·2h 27m
7.0
★
An insomniac former cop, Kennedy has been presumed dead for years. Yet, in secret, he continues to serve a corrupt system while seeking redemption. Halfway between thriller and film noir, Kennedy chronicles a violent and bloody vendetta in the dark streets of Mumbai. At the rate of the murders, Kennedy's character reveals itself more and more and sinks into a spiral that seems to have no way out.
Directed by Anurag Kashyap
IMDB
N/A
Cast
Rahul Bhat
Uday Shetty/Kennedy
Sunny Leone
Charlie
Mohit Takalkar
Rasheed Khan
Megha Burman
Anuradha
Shrikant Yadav
Abhijit Kaale
Abhilash Thapliyal
Roomie/Chandan
Aamir Dalvi
Saleem Kattawala
Karishma Modi
Gunjan
Kurush Deboo
Bookie
Vaisakh Shankar
Kabir
Vijay Kadam
Politico 2
Prasanna Ketkar
Commissioner of Police
Crew
Anurag Kashyap
Director
Anurag Kashyap
Screenplay
Sylvester Fonseca
Director of Photography
Anurag Kashyap
Dialogue
Anurag Kashyap
Story
Popular Reviews
20 reviews
Yuvi
7.0★ · 04/30/26
Rahul Bhatt and his deeeep, gravellyyyy, testosterone heavyyy voice is the only Batman contender voice.
Rahul Bhatt and his deeeep, gravellyyyy, testosterone heavyyy voice is the only Batman contender voice.
Meet Mewada
7.0★ · 02/25/26
GTA Mumbai. Directed by Anurag Kashyap
Oh Mr. Kashyap, what a great watch.
The film starts off slow, but Kashyap’s dark, moody Mumbai makes it engaging from the get-go, in fact, enjoyable to sit through. That initial slow pace actually works in its favor, helping justify the film’s rhythm as it progresses. Rahul Bhat as Uday Shetty, a man of few words, delivers a compelling performance, carrying deep, suppressed emotions that make him feel almost numb to the world around him. His silence becomes a strength, constantly keeping you curious about what’s going on in his mind. The film rarely feels dull, and the internal politics within the police force adds an interesting layer. Sylvester Fonseca’s cinematography beautifully captures the quiet, shadowy Mumbai nights, enhancing the film’s tone, while the supporting cast also delivers solid performances. Hilarious surprise cameo by V G*. The film builds up to an interesting climax.
On the downside, Sunny Leone’s character feels largely unnecessary, with minimal screen time and little impact on the story. While she works in the lighter, drunk scenes, her performance lacks depth in emotional moments. Another drawback is the use of trap music. While Boyblanck’s music is good on its own, it doesn’t quite match the film’s grounded, dark aesthetic and feels slightly out of place, though the rest of the soundtrack works well.
Overall, it’s worth watching for its performances, strong atmosphere, cinematography, and engaging storytelling.
Oh Mr. Kashyap, what a great watch.
The film starts off slow, but Kashyap’s dark, moody Mumbai makes it engaging from the get-go, in fact, enjoyable to sit through. That initial slow pace actually works in its favor, helping justify the film’s rhythm as it progresses. Rahul Bhat as Uday Shetty, a man of few words, delivers a compelling performance, carrying deep, suppressed emotions that make him feel almost numb to the world around him. His silence becomes a strength, constantly keeping you curious about what’s going on in his mind. The film rarely feels dull, and the internal politics within the police force adds an interesting layer. Sylvester Fonseca’s cinematography beautifully captures the quiet, shadowy Mumbai nights, enhancing the film’s tone, while the supporting cast also delivers solid performances. Hilarious surprise cameo by V G*. The film builds up to an interesting climax.
On the downside, Sunny Leone’s character feels largely unnecessary, with minimal screen time and little impact on the story. While she works in the lighter, drunk scenes, her performance lacks depth in emotional moments. Another drawback is the use of trap music. While Boyblanck’s music is good on its own, it doesn’t quite match the film’s grounded, dark aesthetic and feels slightly out of place, though the rest of the soundtrack works well.
Overall, it’s worth watching for its performances, strong atmosphere, cinematography, and engaging storytelling.
Bata, kitne katl kiye tu ne?
GTA Mumbai. Directed by Anurag Kashyap
Oh Mr. Kashyap, what a great watch.
The film starts off slow, but Kashyap’s dark, moody Mumbai makes it engaging from the get-go, in fact, enjoyable to sit through. That initial slow pace actually works in its favor, helping justify the film’s rhythm as it progresses. Rahul Bhat as Uday Shetty, a man of few words, delivers a compelling performance, carrying deep, suppressed emotions that make him feel almost numb to the world around him. His silence becomes a strength, constantly keeping you curious about what’s going on in his mind. The film rarely feels dull, and the internal politics within the police force adds an interesting layer. Sylvester Fonseca’s cinematography beautifully captures the quiet, shadowy Mumbai nights, enhancing the film’s tone, while the supporting cast also delivers solid performances. Hilarious surprise cameo by V G*. The film builds up to an interesting climax.
On the downside, Sunny Leone’s character feels largely unnecessary, with minimal screen time and little impact on the story. While she works in the lighter, drunk scenes, her performance lacks depth in emotional moments. Another drawback is the use of trap music. While Boyblanck’s music is good on its own, it doesn’t quite match the film’s grounded, dark aesthetic and feels slightly out of place, though the rest of the soundtrack works well.
Overall, it’s worth watching for its performances, strong atmosphere, cinematography, and engaging storytelling.
Oh Mr. Kashyap, what a great watch.
The film starts off slow, but Kashyap’s dark, moody Mumbai makes it engaging from the get-go, in fact, enjoyable to sit through. That initial slow pace actually works in its favor, helping justify the film’s rhythm as it progresses. Rahul Bhat as Uday Shetty, a man of few words, delivers a compelling performance, carrying deep, suppressed emotions that make him feel almost numb to the world around him. His silence becomes a strength, constantly keeping you curious about what’s going on in his mind. The film rarely feels dull, and the internal politics within the police force adds an interesting layer. Sylvester Fonseca’s cinematography beautifully captures the quiet, shadowy Mumbai nights, enhancing the film’s tone, while the supporting cast also delivers solid performances. Hilarious surprise cameo by V G*. The film builds up to an interesting climax.
On the downside, Sunny Leone’s character feels largely unnecessary, with minimal screen time and little impact on the story. While she works in the lighter, drunk scenes, her performance lacks depth in emotional moments. Another drawback is the use of trap music. While Boyblanck’s music is good on its own, it doesn’t quite match the film’s grounded, dark aesthetic and feels slightly out of place, though the rest of the soundtrack works well.
Overall, it’s worth watching for its performances, strong atmosphere, cinematography, and engaging storytelling.
Bata, kitne katl kiye tu ne?
ZSPRO
7.0★ · 02/21/26
Slow burning neo-noir revenge
Sunny leone:😂😂😂
Slow burning neo-noir revenge
Sunny leone:😂😂😂
Bojacksahil
7.0★ · 02/19/26
Rahul bhat Anurag Kashyap combo just damn
Rahul bhat Anurag Kashyap combo just damn
Sid
The ending felt straight out of " The sopranos"......
The ending felt straight out of " The sopranos"......