I love the way Tati shoots cars—he makes them feel like characters in their own right. They're quirky, often used for comedic effect, yet there’s something oddly eerie about them. These overcomplicated, fragile machines moving at high speeds in close proximity carry a subtle tension. But it’s hard to put into words—Tati’s framing and perspective are so distinct and visually striking, perfectly aligning with the themes he’s exploring.
I love the way Tati shoots cars—he makes them feel like characters in their own right. They're quirky, often used for comedic effect, yet there’s something oddly eerie about them. These overcomplicated, fragile machines moving at high speeds in close proximity carry a subtle tension. But it’s hard to put into words—Tati’s framing and perspective are so distinct and visually striking, perfectly aligning with the themes he’s exploring.
