Malatesta’s Carnival of Blood is utterly charming in how it understands the carnival/theme park as a uniquely American invention, with a lot of its iconography being heavily embedded in the ideas of the traveling circus, sure, but also vaudeville. The film feels like an excuse to simply run around a park for a while with vaguely scary things happening at almost all times. The carnival, ran by a various array of monsters and ghoulies, is the central attraction for the film, even moreso than the characters we see. This is the original Halloween Horror Nights
Malatesta’s Carnival of Blood is utterly charming in how it understands the carnival/theme park as a uniquely American invention, with a lot of its iconography being heavily embedded in the ideas of the traveling circus, sure, but also vaudeville. The film feels like an excuse to simply run around a park for a while with vaguely scary things happening at almost all times. The carnival, ran by a various array of monsters and ghoulies, is the central attraction for the film, even moreso than the characters we see. This is the original Halloween Horror Nights