Made me cry real

Made me cry real

ITS SO FUCKING PEAK

ITS SO FUCKING PEAK

respeito esse curta como uma celebração à todos os artistas envolvidos nas produções da disney que pavimentaram os caminhos da animação e aos personagens e mundos criados por eles, mas odeio esse saudosismo à uma corporação onde esses artistas nunca foram valorizados, nem em condições de trabalho, nem em liberdade criativa e artística. a homenagem pro racista antissemita que foi o walt disney é simplesmente nojenta.

respeito esse curta como uma celebração à todos os artistas envolvidos nas produções da disney que pavimentaram os caminhos da animação e aos personagens e mundos criados por eles, mas odeio esse saudosismo à uma corporação onde esses artistas nunca foram valorizados, nem em condições de trabalho, nem em liberdade criativa e artística. a homenagem pro racista antissemita que foi o walt disney é simplesmente nojenta.

Disney isn’t my favorite animation studio, but while watching Once Upon a Studio, I felt so emotional. Seeing all the Disney characters that used to accompany me throughout my childhood was truly heartwarming. This was so wholesome, and I ended up tearing up during the final moments. Thank you, Disney, for being part of my life and for creating memories that have stayed with me until now.

Disney isn’t my favorite animation studio, but while watching Once Upon a Studio, I felt so emotional. Seeing all the Disney characters that used to accompany me throughout my childhood was truly heartwarming. This was so wholesome, and I ended up tearing up during the final moments. Thank you, Disney, for being part of my life and for creating memories that have stayed with me until now.

★★★★

“A century of magic, all in one frame.”

Disney really went for the jugular with this one. As someone who grew up with a rotating cycle of VHS tapes and DVD extras, seeing hand-drawn legends like Genie and Mickey sharing the screen with modern CG icons like Moana felt less like a corporate crossover and more like a high school reunion where everyone actually likes each other.

The technical execution is seamless. Integrating 2D animation drawn by the masters like Eric Goldberg into a live action environment alongside 3D models is a nightmare to pull off, yet it looks effortless here. It’s a gorgeous love letter to the medium of animation itself.

I’m not ashamed to admit I got a bit misty eyed when Richard Sherman showed up to play "Feed the Birds" at Walt’s piano. It’s undeniably sentimental, but it earns every bit of that emotion by honoring the artists who paved the way.

It’s short, sweet, and a reminder of why we fell in love with these stories in the first place. A perfect way to celebrate 100 years.

★★★★

“A century of magic, all in one frame.”

Disney really went for the jugular with this one. As someone who grew up with a rotating cycle of VHS tapes and DVD extras, seeing hand-drawn legends like Genie and Mickey sharing the screen with modern CG icons like Moana felt less like a corporate crossover and more like a high school reunion where everyone actually likes each other.

The technical execution is seamless. Integrating 2D animation drawn by the masters like Eric Goldberg into a live action environment alongside 3D models is a nightmare to pull off, yet it looks effortless here. It’s a gorgeous love letter to the medium of animation itself.

I’m not ashamed to admit I got a bit misty eyed when Richard Sherman showed up to play "Feed the Birds" at Walt’s piano. It’s undeniably sentimental, but it earns every bit of that emotion by honoring the artists who paved the way.

It’s short, sweet, and a reminder of why we fell in love with these stories in the first place. A perfect way to celebrate 100 years.