

1983·Horror·1h 35m
7.0
★



A lift technician finds himself drawn into a web of mystery and peril as he investigates the perplexing deadly accidents occurring in the elevators of a new office building.
Directed by Dick Maas
skyscraper
journalism
suffocation
gore
todeskampf

Trailer

IMDB
N/A
Where to Watch



Cast

Huub Stapel
Felix Adelaar

Willeke van Ammelrooy
Mieke de Beer

Josine van Dalsum
Saskia Adelaar

Liz Snoijink
Vrouw in Lift

Huib Broos
Man in Lift

Pieter Lutz
Man in Lift

Dick Scheffer
Gérant

Cor Witschge
Dagportier

Piet Römer
Beheerder

Serge-Henri Valcke
Psychiater

Onno Molenkamp
Blinde man

Manfred de Graaf
Makelaar
Crew

Dick Maas
Director

Dick Maas
Screenplay

Dick Maas
Original Music Composer

Hans van Dongen
Editor

Matthijs van Heijningen
Producer

Jany Temime
Costume Design

Erwin Steen
First Assistant Camera

Matthijs van Heijningen Jr.
Set Decoration
Popular Reviews
37 reviews
Amy Carroll
6.0★ · 05/19/26

The Lift has one of the most fun concepts for a horror movie (in a decade filled with fun concepts for horror movies). I thought the kills were very creative and I liked how the same kill is never attempted twice. However, I thought that all of the subplots were very uninteresting and the ending was a bit anticlimactic.
The Lift has one of the most fun concepts for a horror movie (in a decade filled with fun concepts for horror movies). I thought the kills were very creative and I liked how the same kill is never attempted twice. However, I thought that all of the subplots were very uninteresting and the ending was a bit anticlimactic.
Somto Umelo
4.0★ · 04/19/26

No….
No….
Frédéric VdO
8.0★ · 02/09/26

Beste Nederlandse AI film
Beste Nederlandse AI film
Diego MillerPRO
6.0★ · 10/13/25

There’s something so funny about a movie taking itself this seriously while being about a homicidal elevator. It’s an ordinary B movie elevated (lol) by how straight everyone plays it. Maas shoots it like a genuine thriller, the moody lighting, tense score, all the ingredients for Hitchcockian suspense. But it’s still a story about a lift with a grudge. The tone is stuck somewhere between absurd and unsettling, somehow that mix kinda works? You can feel the early 80s charm bleeding through the dodgy effects and clunky pacing.
There’s something so funny about a movie taking itself this seriously while being about a homicidal elevator. It’s an ordinary B movie elevated (lol) by how straight everyone plays it. Maas shoots it like a genuine thriller, the moody lighting, tense score, all the ingredients for Hitchcockian suspense. But it’s still a story about a lift with a grudge. The tone is stuck somewhere between absurd and unsettling, somehow that mix kinda works? You can feel the early 80s charm bleeding through the dodgy effects and clunky pacing.
Maud Gone
6.0★ · 04/06/25

Solid horror b-movie
Solid horror b-movie