The Lift backdrop
The Lift logo
1983·Horror·1h 35m
7.0
A lift technician finds himself drawn into a web of mystery and peril as he investigates the perplexing deadly accidents occurring in the elevators of a new office building.
Directed by Dick Maas
skyscraper
journalism
suffocation
gore
todeskampf

Cast

Huub Stapel
Huub Stapel
Felix Adelaar
Willeke van Ammelrooy
Willeke van Ammelrooy
Mieke de Beer
Josine van Dalsum
Josine van Dalsum
Saskia Adelaar
Liz Snoijink
Liz Snoijink
Vrouw in Lift
Huib Broos
Huib Broos
Man in Lift
Pieter Lutz
Pieter Lutz
Man in Lift
Dick Scheffer
Dick Scheffer
Gérant
Cor Witschge
Cor Witschge
Dagportier
Piet Römer
Piet Römer
Beheerder
Serge-Henri Valcke
Serge-Henri Valcke
Psychiater
Onno Molenkamp
Onno Molenkamp
Blinde man
Manfred de Graaf
Manfred de Graaf
Makelaar

Crew

Dick Maas
Dick Maas
Director
Dick Maas
Dick Maas
Screenplay
Dick Maas
Dick Maas
Original Music Composer
Hans van Dongen
Hans van Dongen
Editor
Matthijs van Heijningen
Matthijs van Heijningen
Producer
Jany Temime
Jany Temime
Costume Design
Erwin Steen
Erwin Steen
First Assistant Camera
Matthijs van Heijningen Jr.
Matthijs van Heijningen Jr.
Set Decoration

Popular Reviews

37 reviews
Amy Carroll
Amy Carroll
The Lift
The Lift has one of the most fun concepts for a horror movie (in a decade filled with fun concepts for horror movies). I thought the kills were very creative and I liked how the same kill is never attempted twice. However, I thought that all of the subplots were very uninteresting and the ending was a bit anticlimactic.
The Lift has one of the most fun concepts for a horror movie (in a decade filled with fun concepts for horror movies). I thought the kills were very creative and I liked how the same kill is never attempted twice. However, I thought that all of the subplots were very uninteresting and the ending was a bit anticlimactic.
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Somto Umelo
Somto Umelo
The Lift
No….
No….
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Frédéric VdO
Frédéric VdO
The Lift
Beste Nederlandse AI film
Beste Nederlandse AI film
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Diego Miller
Diego MillerPRO
The Lift
There’s something so funny about a movie taking itself this seriously while being about a homicidal elevator. It’s an ordinary B movie elevated (lol) by how straight everyone plays it. Maas shoots it like a genuine thriller, the moody lighting, tense score, all the ingredients for Hitchcockian suspense. But it’s still a story about a lift with a grudge. The tone is stuck somewhere between absurd and unsettling, somehow that mix kinda works? You can feel the early 80s charm bleeding through the dodgy effects and clunky pacing.
There’s something so funny about a movie taking itself this seriously while being about a homicidal elevator. It’s an ordinary B movie elevated (lol) by how straight everyone plays it. Maas shoots it like a genuine thriller, the moody lighting, tense score, all the ingredients for Hitchcockian suspense. But it’s still a story about a lift with a grudge. The tone is stuck somewhere between absurd and unsettling, somehow that mix kinda works? You can feel the early 80s charm bleeding through the dodgy effects and clunky pacing.
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Maud Gone
Maud Gone
The Lift
Solid horror b-movie
Solid horror b-movie
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