2025·Horror·1h 40m
7.0
★
Carrie has been fascinated by the local legend of the pig people of Pig Hill, revolting creatures who breed and cause havoc in the area. As the tenth woman goes missing, Carrie can't stop thinking that there could be more to these stories.
Directed by Kevin Lewis
based on novel or book
pennsylvania, usa
urban legend
horror
meadville
Trailer
IMDB
N/A
Where to Watch
Cast
Rainey Qualley
Carrie
Shane West
Andy
Shiloh Fernandez
Chris Barrett
Isabella Brenza
Paula Davis
R.A. Mihailoff
Red
Crew
Kevin Lewis
Director
Mandy Simpson
Property Master
Popular Reviews
7 reviews
Nini
1.0★ · 02/16/26
فلم قذر لابعد الحدود وغرابه الفف🤢🤢
فلم قذر لابعد الحدود وغرابه الفف🤢🤢
Samantha
7.0★ · 01/10/26
This film is beautifully shot, and I loved the colour scheme although some scenes were a bit dark. Shane West was a standout for me, I really loved the character of Andy and the little shoutout to Fox Mulder being why he was interested in the conspiracy of Pig Hill and wanting to help Carrie was a nice touch.
Admittedly, I felt that Shiloh Fernandez played the brother far too suspicious and it was almost too easy to guess the twist, and it was more down to how he portrayed Chris than the script. Rainey Qualley was decent, but at times she was a little flat. I did find her scenes with Shane West were better than some of the others.
As for the ending, although I understand that for the story it had to be opened ended but I would have liked to have saw what happened with Andy and Ethan, especially as Andy was such a big part of the story.
Admittedly, I felt that Shiloh Fernandez played the brother far too suspicious and it was almost too easy to guess the twist, and it was more down to how he portrayed Chris than the script. Rainey Qualley was decent, but at times she was a little flat. I did find her scenes with Shane West were better than some of the others.
As for the ending, although I understand that for the story it had to be opened ended but I would have liked to have saw what happened with Andy and Ethan, especially as Andy was such a big part of the story.
This film is beautifully shot, and I loved the colour scheme although some scenes were a bit dark. Shane West was a standout for me, I really loved the character of Andy and the little shoutout to Fox Mulder being why he was interested in the conspiracy of Pig Hill and wanting to help Carrie was a nice touch.
Admittedly, I felt that Shiloh Fernandez played the brother far too suspicious and it was almost too easy to guess the twist, and it was more down to how he portrayed Chris than the script. Rainey Qualley was decent, but at times she was a little flat. I did find her scenes with Shane West were better than some of the others.
As for the ending, although I understand that for the story it had to be opened ended but I would have liked to have saw what happened with Andy and Ethan, especially as Andy was such a big part of the story.
Admittedly, I felt that Shiloh Fernandez played the brother far too suspicious and it was almost too easy to guess the twist, and it was more down to how he portrayed Chris than the script. Rainey Qualley was decent, but at times she was a little flat. I did find her scenes with Shane West were better than some of the others.
As for the ending, although I understand that for the story it had to be opened ended but I would have liked to have saw what happened with Andy and Ethan, especially as Andy was such a big part of the story.
The
4.0★ · 12/19/25
My name is Andy Korn.
Shelves of criterions, box sets, the home stretch of Cronenberg’s oeuvre, a few contenders for my best of 2025 list, going to bed early… no, the siren call of a potentially nasty and/or stupid movie.
This is all over the place. Attractive leads meet a weird grindhouse movie wrestling with attempts at style and a story that is just… yeah, I won’t spoil it but this simultaneously wallows in pig shit and tries to be something more. As is becoming the case more often, this crosses a poor taste threshold without going far enough to be remarkable. It’s definitely not notable as a good movie. I was almost fine with this being shitty, stupid fun but it pulls a cardinal sin that results in some interminable, gear grinding tedium. You had human piglets and still lost me.
I’ve been camera shopping and this was a really great thing to watch since it really highlights how a decent camera and some good lenses can get you pretty far but there’s a limit. I’ve got complaints about the lighting but it’s really funny that something like this has contrast - real highlights and shadows in the same shot! - when so much stuff now doesn’t. No more gels or colored LEDs or whatever! Stop it!
Thomas Kristopher Korn.
Shelves of criterions, box sets, the home stretch of Cronenberg’s oeuvre, a few contenders for my best of 2025 list, going to bed early… no, the siren call of a potentially nasty and/or stupid movie.
This is all over the place. Attractive leads meet a weird grindhouse movie wrestling with attempts at style and a story that is just… yeah, I won’t spoil it but this simultaneously wallows in pig shit and tries to be something more. As is becoming the case more often, this crosses a poor taste threshold without going far enough to be remarkable. It’s definitely not notable as a good movie. I was almost fine with this being shitty, stupid fun but it pulls a cardinal sin that results in some interminable, gear grinding tedium. You had human piglets and still lost me.
I’ve been camera shopping and this was a really great thing to watch since it really highlights how a decent camera and some good lenses can get you pretty far but there’s a limit. I’ve got complaints about the lighting but it’s really funny that something like this has contrast - real highlights and shadows in the same shot! - when so much stuff now doesn’t. No more gels or colored LEDs or whatever! Stop it!
Thomas Kristopher Korn.
My name is Andy Korn.
Shelves of criterions, box sets, the home stretch of Cronenberg’s oeuvre, a few contenders for my best of 2025 list, going to bed early… no, the siren call of a potentially nasty and/or stupid movie.
This is all over the place. Attractive leads meet a weird grindhouse movie wrestling with attempts at style and a story that is just… yeah, I won’t spoil it but this simultaneously wallows in pig shit and tries to be something more. As is becoming the case more often, this crosses a poor taste threshold without going far enough to be remarkable. It’s definitely not notable as a good movie. I was almost fine with this being shitty, stupid fun but it pulls a cardinal sin that results in some interminable, gear grinding tedium. You had human piglets and still lost me.
I’ve been camera shopping and this was a really great thing to watch since it really highlights how a decent camera and some good lenses can get you pretty far but there’s a limit. I’ve got complaints about the lighting but it’s really funny that something like this has contrast - real highlights and shadows in the same shot! - when so much stuff now doesn’t. No more gels or colored LEDs or whatever! Stop it!
Thomas Kristopher Korn.
Shelves of criterions, box sets, the home stretch of Cronenberg’s oeuvre, a few contenders for my best of 2025 list, going to bed early… no, the siren call of a potentially nasty and/or stupid movie.
This is all over the place. Attractive leads meet a weird grindhouse movie wrestling with attempts at style and a story that is just… yeah, I won’t spoil it but this simultaneously wallows in pig shit and tries to be something more. As is becoming the case more often, this crosses a poor taste threshold without going far enough to be remarkable. It’s definitely not notable as a good movie. I was almost fine with this being shitty, stupid fun but it pulls a cardinal sin that results in some interminable, gear grinding tedium. You had human piglets and still lost me.
I’ve been camera shopping and this was a really great thing to watch since it really highlights how a decent camera and some good lenses can get you pretty far but there’s a limit. I’ve got complaints about the lighting but it’s really funny that something like this has contrast - real highlights and shadows in the same shot! - when so much stuff now doesn’t. No more gels or colored LEDs or whatever! Stop it!
Thomas Kristopher Korn.
Rj Solesto
3.0★ · 04/05/26
donkie
5.0★ · 02/07/26