God Is a Woman backdrop
God Is a Woman logo
2024·Documentary·1h 25m
7.1
In 1975 French Oscar-winning documentary filmmaker Pierre Dominique Gaisseau traveled to Panama to make a film on the indigenous island-dwelling Kuna people. Accompanied by his wife and their daughter, Gaisseau lived with the Kuna for a year, gaining their trust and filming their most intimate ceremonies. He promised to share the resulting film with the community, but that never happened. Fifty years later, the Kunas are still waiting to discover “their” film, now a legend passed down from the elders to the new generation. One day, a hidden copy is found in Paris…While uncovering this fascinating story with humility and warmth, Swiss-Panamanian filmmaker Andrés Peyrot succeeds in capturing a true sense of culture and place. The result is simultaneously a cautionary tale raising questions around how and why documentaries are made and for whom, and a testament to the power of what it means to see yourself on the big screen.
Directed by Andrés Peyrot
lost film
former lost media

Cast

Orgun Wagua
Orgun Wagua
Self

Crew

Elisabeth Wautlet
Elisabeth Wautlet
Writer
Sabine Emiliani
Sabine Emiliani
Editor
Xavier Grin
Xavier Grin
Co-Producer
Grégoire Auger
Grégoire Auger
Music
Orgun Wagua
Orgun Wagua
Associate Producer

Popular Reviews

3 reviews
Tony Hightower
Tony Hightower
God Is a Woman
What does a documentarian owe to their subject?

It took them half a century to make right the promise of the original filmmakers to chronicle the lives & rituals of the Kuna, an indigenous tribe in modern-day Panama, but even through the decades of inaction, of decaying film and bureaucratic snags, this film is more optimistic than it is frustrating.

Seeing the original (dated, 1970s-style) documentary footage, watching the people we come to know in the present day react to their own half-century-younger faces, it really feels like a wrong has been, if not exactly righted, at least properly addressed here. Their tears — and mine — are earned.

This is ultimately a life-affirming film, that closes a long-unfinished chapter in the lives of these people. It was a pleasure to spend some time with them.
What does a documentarian owe to their subject?

It took them half a century to make right the promise of the original filmmakers to chronicle the lives & rituals of the Kuna, an indigenous tribe in modern-day Panama, but even through the decades of inaction, of decaying film and bureaucratic snags, this film is more optimistic than it is frustrating.

Seeing the original (dated, 1970s-style) documentary footage, watching the people we come to know in the present day react to their own half-century-younger faces, it really feels like a wrong has been, if not exactly righted, at least properly addressed here. Their tears — and mine — are earned.

This is ultimately a life-affirming film, that closes a long-unfinished chapter in the lives of these people. It was a pleasure to spend some time with them.
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Mariana Huerta
Mariana Huerta
God Is a Woman
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Andrea
Andrea
God Is a Woman
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God Is a Woman (2024) | Flick