bisu kabeh anying

bisu kabeh anying

Je suis très partagé par ce film et frustré aussi. Le sujet de fond du film est vraiment touchant et important, mais j'ai du mal avec le choix de narration, je trouve qu'il y a parfois des longueurs. Je me suis ennuyé, j'ai eu des moments où je ne comprenais pas l'utilité de certaines scènes. Mais j'ai aussi était très touchée par ces deux graçon, j'ai même pleuré.

Je suis très partagé par ce film et frustré aussi. Le sujet de fond du film est vraiment touchant et important, mais j'ai du mal avec le choix de narration, je trouve qu'il y a parfois des longueurs. Je me suis ennuyé, j'ai eu des moments où je ne comprenais pas l'utilité de certaines scènes. Mais j'ai aussi était très touchée par ces deux graçon, j'ai même pleuré.

Seru sih tegang banget tpi ya oon dan ngeselin bukannya di gas aja mobilnya malah teriak²gjls SETIR AJA MOBILNYA DEKK‼️‼️‼️‼️

Seru sih tegang banget tpi ya oon dan ngeselin bukannya di gas aja mobilnya malah teriak²gjls SETIR AJA MOBILNYA DEKK‼️‼️‼️‼️

Kore-eda at his most ambitious and refined level of filmmaking. It’s easy for a Rashomon style story like this to get messy but Kore-Eda perfectly weaves together an intricate story of multiple perspectives exposing our inherent biases and projected prejudices. We were the Monster all along.

I’ve been a fan of Kore-eda’s humanistic and delicate approach to filmmaking for a while but this film fully realizes his experience and skill in storytelling. A tender character study that inspires its audience to recognize the Monster hiding in all of us. Kore-Eda’s masterpiece and a high point in his career. Rewatching this has reaffirmed this as my favorite film of all time as its subject matter is also something I find personal to me. 

A film I see never leaving my top 4.

Kore-eda at his most ambitious and refined level of filmmaking. It’s easy for a Rashomon style story like this to get messy but Kore-Eda perfectly weaves together an intricate story of multiple perspectives exposing our inherent biases and projected prejudices. We were the Monster all along.

I’ve been a fan of Kore-eda’s humanistic and delicate approach to filmmaking for a while but this film fully realizes his experience and skill in storytelling. A tender character study that inspires its audience to recognize the Monster hiding in all of us. Kore-Eda’s masterpiece and a high point in his career. Rewatching this has reaffirmed this as my favorite film of all time as its subject matter is also something I find personal to me. 

A film I see never leaving my top 4.

Really incredible and perfect, with so many emotions within each perspective, and just the most beautiful (but devastating) ending.

Really incredible and perfect, with so many emotions within each perspective, and just the most beautiful (but devastating) ending.