“All the sweetness, regrets and sorrows. Are beyond any spoken words.”
I thought this world might be incapable of having those magical moments found in The Wayward Cloud, but boy was I wrong. Here, in I Don’t Want to Sleep Alone, those previously grand music sequences are reduced to the music and the scene itself, no added extravagant dancing or set pieces, just music and a typical Tsai scene. These so called “magical moments” have just taken another form and serve a different purpose. Emphasizing not the juxtaposition of joy and the character’s situation from Wayward, but to emphasize the current moment, bringing light to repressed emotions within the image.
Immensely beautiful, especially that final scene. Tsai really does have that special touch when it comes to crafting an ending
“All the sweetness, regrets and sorrows. Are beyond any spoken words.”
I thought this world might be incapable of having those magical moments found in The Wayward Cloud, but boy was I wrong. Here, in I Don’t Want to Sleep Alone, those previously grand music sequences are reduced to the music and the scene itself, no added extravagant dancing or set pieces, just music and a typical Tsai scene. These so called “magical moments” have just taken another form and serve a different purpose. Emphasizing not the juxtaposition of joy and the character’s situation from Wayward, but to emphasize the current moment, bringing light to repressed emotions within the image.
Immensely beautiful, especially that final scene. Tsai really does have that special touch when it comes to crafting an ending