ilya'nın rusça konustuğu sahnenin atası burda

ilya'nın rusça konustuğu sahnenin atası burda

This feels like a tryout for Kieslowski's "Three Colours: Blue" they have a bunch of stuff in common.

This feels like a tryout for Kieslowski's "Three Colours: Blue" they have a bunch of stuff in common.

Less a ghost story, more a reminder that grief is the ultimate third wheel. Moody, political, and maybe a little too serious—but it sticks around, just like the ghost.

Less a ghost story, more a reminder that grief is the ultimate third wheel. Moody, political, and maybe a little too serious—but it sticks around, just like the ghost.

What I love about Kieslowski is that every movie from him feels different. He doesn’t change aesthetics or his generally style more but all of his movie (the ones I have seen till now) are feeling very unique. 

My problem with this is that I don’t get the connection or the loosely connected story lines. The story lines themself are mostly working, especially the aspect of grief but somehow this didn’t work for me completely. 
It’s still good though.

What I love about Kieslowski is that every movie from him feels different. He doesn’t change aesthetics or his generally style more but all of his movie (the ones I have seen till now) are feeling very unique. 

My problem with this is that I don’t get the connection or the loosely connected story lines. The story lines themself are mostly working, especially the aspect of grief but somehow this didn’t work for me completely. 
It’s still good though.

Bit off more than it could chew #weallbeenthere

Bit off more than it could chew #weallbeenthere