Definitely shocking, strange, and surreal. Its pacing is quite slow, yet it's themes are both confusing and funny. I think it also is revealing of Miike's common theme of abuse, sexual deviance, and utter chaos. While claiming to be a "Yakuza Horror Story" it really wasn't scary at all, more or less uncomfortable. With a little charm, and a good amount of humor, it was by no means a terrible film, disgusting yes, but not terrible. With undeniable similarities to Visitor Q, it feels more a less an extension into this early 2000's Miike-verse where he wished to shock and confuse audiences rather than give an interesting story line. It's comedic aspects are overshadowed by this great sense of uncomfortableness, which is a sort of brilliance Miike holds. Gozu is nonetheless one of Miike's top 100 films but is truly not as impactful as some of his others.
Definitely shocking, strange, and surreal. Its pacing is quite slow, yet it's themes are both confusing and funny. I think it also is revealing of Miike's common theme of abuse, sexual deviance, and utter chaos. While claiming to be a "Yakuza Horror Story" it really wasn't scary at all, more or less uncomfortable. With a little charm, and a good amount of humor, it was by no means a terrible film, disgusting yes, but not terrible. With undeniable similarities to Visitor Q, it feels more a less an extension into this early 2000's Miike-verse where he wished to shock and confuse audiences rather than give an interesting story line. It's comedic aspects are overshadowed by this great sense of uncomfortableness, which is a sort of brilliance Miike holds. Gozu is nonetheless one of Miike's top 100 films but is truly not as impactful as some of his others.