A year in the life of a family of five in Iceland, following a mother and father as they learn to navigate co-parenting after an amicable separation.

Over time, as the seasons quietly shift, work comes and goes, and Anna and Magnus settle into a new rhythm. Throughout it all, there are constant, tender reminders of the love they once shared, alongside the difficult truths of why it no longer works.

At its core, The Love That Remains offers a slow, intimate look at the ‘modern’ family. It explores how the pressures of work, societal expectations, time, and distance can gradually pull people apart, even when love is still present.

At moments, the film leans into raucous and slightly surreal humour, while at others it embraces more serious, dramatic undertones. Together, this balance captures something that feels very true to the everyday life of these people. It feels very ‘lived’ in. 

Visually, it’s stunning in places. The cinematography stands out, and the use of spiritual symbolism really stayed with me, particularly the imagery of the Knight. Its presence seems to develop alongside the family, mirroring their gradual acceptance of change.

I’d really like to see more people discover this. It completely worked for me and felt very much up my street. More than anything, it offers a thoughtful insight into family life, along with a warm and often understated glimpse into the humour and culture of Icelandic life.

A year in the life of a family of five in Iceland, following a mother and father as they learn to navigate co-parenting after an amicable separation.

Over time, as the seasons quietly shift, work comes and goes, and Anna and Magnus settle into a new rhythm. Throughout it all, there are constant, tender reminders of the love they once shared, alongside the difficult truths of why it no longer works.

At its core, The Love That Remains offers a slow, intimate look at the ‘modern’ family. It explores how the pressures of work, societal expectations, time, and distance can gradually pull people apart, even when love is still present.

At moments, the film leans into raucous and slightly surreal humour, while at others it embraces more serious, dramatic undertones. Together, this balance captures something that feels very true to the everyday life of these people. It feels very ‘lived’ in. 

Visually, it’s stunning in places. The cinematography stands out, and the use of spiritual symbolism really stayed with me, particularly the imagery of the Knight. Its presence seems to develop alongside the family, mirroring their gradual acceptance of change.

I’d really like to see more people discover this. It completely worked for me and felt very much up my street. More than anything, it offers a thoughtful insight into family life, along with a warm and often understated glimpse into the humour and culture of Icelandic life.

Such beautiful cinematography in this film I really enjoyed everything about this. Anna’s really living the life as an artist in the beautiful mountains of Iceland.

Such beautiful cinematography in this film I really enjoyed everything about this. Anna’s really living the life as an artist in the beautiful mountains of Iceland.

I would be elated if my future kids are even as fraction as cool as Pálmason’s kids. 

There has legitimately been maybe one other movie in my lifetime where I have resonated with every second of its runtime. All-timer for me would be an understatement.

I would be elated if my future kids are even as fraction as cool as Pálmason’s kids. 

There has legitimately been maybe one other movie in my lifetime where I have resonated with every second of its runtime. All-timer for me would be an understatement.

Was worried that I had hyped this up too much since seeing it for the first time back in October but that was not the case at all. Am fully in love with this film, had a smile on my face for almost the whole runtime. If you tried to wrap up my visual style preference into one film this would be it. The water, the landscapes, the hints of the surreal. I love it! Equal parts melancholic and full of joy. Can’t wait to see it again sometime this week.

Was worried that I had hyped this up too much since seeing it for the first time back in October but that was not the case at all. Am fully in love with this film, had a smile on my face for almost the whole runtime. If you tried to wrap up my visual style preference into one film this would be it. The water, the landscapes, the hints of the surreal. I love it! Equal parts melancholic and full of joy. Can’t wait to see it again sometime this week.

Pretty

Pretty