1972·Documentary·1h 7m
7.1
★
An atmospheric essay, which is an alternative version of Count Dracula, a film directed by Jess Franco in 1970; a ghostly narration between fiction and reality.
Directed by Pere Portabella
vampire
behind the scenes
essay film
alternative version
experimental
Trailer
IMDB
N/A
Where to Watch
Cast
Christopher Lee
Self
Herbert Lom
Self
Soledad Miranda
Self
Jack Taylor
Self
Maria Rohm
Self
Fred Williams
Self
Paul Müller
Self
Emma Cohen
Self
Jesús Franco
Self
Colette Giacobine
Self / Greta, Housekeeper (uncredited)
Crew
Pere Portabella
Director
Pere Portabella
Screenplay
Carles Santos
Original Music Composer
Pere Portabella
Producer
Popular Reviews
5 reviews
Dani
Soledad Miranda tiene tan la mirada es la actriz más importante de la historia de este país
Soledad Miranda tiene tan la mirada es la actriz más importante de la historia de este país
lik
7.7★ · 03/17/23
maybe i should have watched jess franco's count dracula beforehand but i doubt i would have liked this any more or less if i had. cool, experimental and slightly boring. portabella's movies feel like they are specifically made for the film studies community
maybe i should have watched jess franco's count dracula beforehand but i doubt i would have liked this any more or less if i had. cool, experimental and slightly boring. portabella's movies feel like they are specifically made for the film studies community
Kubilay
this is the proof, metafictional documentary probably only best way to retell the-old-boring-ass-we-all-know-that-shit dracula story
this is the proof, metafictional documentary probably only best way to retell the-old-boring-ass-we-all-know-that-shit dracula story
Lewis
9.5★ · 10/29/21
Interessantissimo il meta-discorso di Portabella che dimostra le potenzialità del mezzo cinematografico trasformando la realtà del nostro universo che viene trattata invece come realtà finta dell’universo filmico. Il bianco e nero sporco, granuloso e a tratti al limite della posterizzazione rende il tutto ancora più bello.
Interessantissimo il meta-discorso di Portabella che dimostra le potenzialità del mezzo cinematografico trasformando la realtà del nostro universo che viene trattata invece come realtà finta dell’universo filmico. Il bianco e nero sporco, granuloso e a tratti al limite della posterizzazione rende il tutto ancora più bello.
han
8.0★ · 01/06/26