Address Unknown backdrop
Address Unknown logo
1944·Drama·1h 12m
7.1
When a German art dealer living in the US returns to his native country he finds himself attracted to Nazi propaganda.
Directed by William Cameron Menzies
germany
black and white
post office

Cast

Paul Lukas
Paul Lukas
Martin Schulz
Carl Esmond
Carl Esmond
Baron von Friesche
Peter van Eyck
Peter van Eyck
Heinrich Schulz
Mady Christians
Mady Christians
Elsa Schulz
Morris Carnovsky
Morris Carnovsky
Max Eisenstein
K.T. Stevens
K.T. Stevens
Griselle Eisenstein
Emory Parnell
Emory Parnell
Postman
Mary Young
Mary Young
Mrs. Delaney
Frank Faylen
Frank Faylen
Jimmie Blake
Charles Halton
Charles Halton
Censorial Pipsqueak
Erwin Kalser
Erwin Kalser
Stage Director
Frank Reicher
Frank Reicher
Professor Schmidt

Crew

William Cameron Menzies
William Cameron Menzies
Director
Rudolph Maté
Rudolph Maté
Director of Photography
William Cameron Menzies
William Cameron Menzies
Producer
Morris Stoloff
Morris Stoloff
Music Director

Popular Reviews

5 reviews
diego brando
diego brando
Address Unknown
Thrillingly haunting depiction of Germany’s embrace of fascism having a chilling affect on two men.
Thrillingly haunting depiction of Germany’s embrace of fascism having a chilling affect on two men.
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Jacob Dickens
Jacob Dickens
Address Unknown
Happy Noirvember to all who celebrate! I figured I'd make an attempt to sneak a few noirs in this month since I own a few box sets and I remain woefully underexposed to this period of studio filmmaking. Address Unknown merges noir aesthetics with wartime propaganda which seems at first to take on the appearance of a social problem film before that facade melts away into shockingly brutal revenge. As one would hope from any good noir, much of the cinematography in this film is simply breathtaking. Rudolph Maté, who started as a cinematographer on a lot of Carl Theodor Dreyer's silents, makes gorgeous use of shadows and lenses to give Nazi offices an otherworldly feeling and create a visual claustrophobia as we get further in. The connection to silent film is also apt as there's quite a bit of runtime in this picture that functions without dialogue. It's a short and not very sweet little slice of noir, a perfect addition to the Noirvember repertoire.
Happy Noirvember to all who celebrate! I figured I'd make an attempt to sneak a few noirs in this month since I own a few box sets and I remain woefully underexposed to this period of studio filmmaking. Address Unknown merges noir aesthetics with wartime propaganda which seems at first to take on the appearance of a social problem film before that facade melts away into shockingly brutal revenge. As one would hope from any good noir, much of the cinematography in this film is simply breathtaking. Rudolph Maté, who started as a cinematographer on a lot of Carl Theodor Dreyer's silents, makes gorgeous use of shadows and lenses to give Nazi offices an otherworldly feeling and create a visual claustrophobia as we get further in. The connection to silent film is also apt as there's quite a bit of runtime in this picture that functions without dialogue. It's a short and not very sweet little slice of noir, a perfect addition to the Noirvember repertoire.
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brayden
brayden
Address Unknown
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Kris
Kris
Address Unknown
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Kris
Kris
Address Unknown
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Address Unknown (1944) | Flick