

1944·Drama·1h 12m
7.1
★






























When a German art dealer living in the US returns to his native country he finds himself attracted to Nazi propaganda.
Directed by William Cameron Menzies
germany
black and white
post office

IMDB
N/A
Cast

Paul Lukas
Martin Schulz

Carl Esmond
Baron von Friesche

Peter van Eyck
Heinrich Schulz

Mady Christians
Elsa Schulz

Morris Carnovsky
Max Eisenstein

K.T. Stevens
Griselle Eisenstein

Emory Parnell
Postman

Mary Young
Mrs. Delaney

Frank Faylen
Jimmie Blake

Charles Halton
Censorial Pipsqueak

Erwin Kalser
Stage Director

Frank Reicher
Professor Schmidt
Crew

William Cameron Menzies
Director

Rudolph Maté
Director of Photography

William Cameron Menzies
Producer

Morris Stoloff
Music Director
Popular Reviews
5 reviews
diego brando
7.8★ · 04/22/25

Thrillingly haunting depiction of Germany’s embrace of fascism having a chilling affect on two men.
Thrillingly haunting depiction of Germany’s embrace of fascism having a chilling affect on two men.
Jacob Dickens
7.4★ · 11/09/23

Happy Noirvember to all who celebrate! I figured I'd make an attempt to sneak a few noirs in this month since I own a few box sets and I remain woefully underexposed to this period of studio filmmaking. Address Unknown merges noir aesthetics with wartime propaganda which seems at first to take on the appearance of a social problem film before that facade melts away into shockingly brutal revenge. As one would hope from any good noir, much of the cinematography in this film is simply breathtaking. Rudolph Maté, who started as a cinematographer on a lot of Carl Theodor Dreyer's silents, makes gorgeous use of shadows and lenses to give Nazi offices an otherworldly feeling and create a visual claustrophobia as we get further in. The connection to silent film is also apt as there's quite a bit of runtime in this picture that functions without dialogue. It's a short and not very sweet little slice of noir, a perfect addition to the Noirvember repertoire.
Happy Noirvember to all who celebrate! I figured I'd make an attempt to sneak a few noirs in this month since I own a few box sets and I remain woefully underexposed to this period of studio filmmaking. Address Unknown merges noir aesthetics with wartime propaganda which seems at first to take on the appearance of a social problem film before that facade melts away into shockingly brutal revenge. As one would hope from any good noir, much of the cinematography in this film is simply breathtaking. Rudolph Maté, who started as a cinematographer on a lot of Carl Theodor Dreyer's silents, makes gorgeous use of shadows and lenses to give Nazi offices an otherworldly feeling and create a visual claustrophobia as we get further in. The connection to silent film is also apt as there's quite a bit of runtime in this picture that functions without dialogue. It's a short and not very sweet little slice of noir, a perfect addition to the Noirvember repertoire.
brayden
9.0★ · 12/04/25

Kris
6.0★ · 12/17/24

Kris
6.0★ · 12/17/24
