I loved the Vangelis-style soundtrack and the sacro-religious iconography of Italy. I like how it is a bit absurd, the way it triggers the priest’s crisis of faith through that confessional, but even so I did not find it that good. It is not any shorter, honestly, Refn always knows how to maintain the pace of a story.
59/100
I loved the Vangelis-style soundtrack and the sacro-religious iconography of Italy. I like how it is a bit absurd, the way it triggers the priest’s crisis of faith through that confessional, but even so I did not find it that good. It is not any shorter, honestly, Refn always knows how to maintain the pace of a story.
59/100
