A Ghost Story for Christmas: 1
Lawrence Gordon Clarke takes the helm and my, does he steer the ship beautifully.
The limitations of TV can wring out extraordinary results (something seen with Song of Summer.) This is a paragon of such restrictive means. Clark’s camera is beautifully intimate in this: each static frame a miniature tableau of gothic atmosphere; small instances of a room captured by candlelight, bordered in darkness; the locked-off effect of each scene, our players moving in and out, drifting between shrouded viewpoints. It’s extraordinarily gorgeous at times, Clark knew what he was doing. The scares are thin, but when they do come, (the scene at the top of the stairs, pre-event) they are chillingly obscured by the darkness, amping up the fright.
I realise this is deemed one of the lesser stories but the central hook worked for me and I always love dips into folk horror, however brief they may be in this.
A Ghost Story for Christmas: 1
Lawrence Gordon Clarke takes the helm and my, does he steer the ship beautifully.
The limitations of TV can wring out extraordinary results (something seen with Song of Summer.) This is a paragon of such restrictive means. Clark’s camera is beautifully intimate in this: each static frame a miniature tableau of gothic atmosphere; small instances of a room captured by candlelight, bordered in darkness; the locked-off effect of each scene, our players moving in and out, drifting between shrouded viewpoints. It’s extraordinarily gorgeous at times, Clark knew what he was doing. The scares are thin, but when they do come, (the scene at the top of the stairs, pre-event) they are chillingly obscured by the darkness, amping up the fright.
I realise this is deemed one of the lesser stories but the central hook worked for me and I always love dips into folk horror, however brief they may be in this.