The lion's share of this three-minute short is kinetic and high-contrast, in Man Ray's style: carnival lights at night, flash-bang negative exposures, spinning mobiles in spotlights with lots of shadows, a DANCER sign shot through a smoky filter, and it all ends with Kiki's nude torso swaying in the window.
If that's the Return To Reason the title promises, then... sure.
The lion's share of this three-minute short is kinetic and high-contrast, in Man Ray's style: carnival lights at night, flash-bang negative exposures, spinning mobiles in spotlights with lots of shadows, a DANCER sign shot through a smoky filter, and it all ends with Kiki's nude torso swaying in the window.
If that's the Return To Reason the title promises, then... sure.