A 24-hour compendium of time-themed film clips, all synched to the time that appears on the clocks and watches within.
Directed by Christian Marclay
Trailer
IMDB
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Crew
Paul Anton Smith
Assistant Editor
Popular Reviews
6 reviews
Jannnnnna
habe 10-13 und 18-20Uhr gesehen und war sehr beeindruckt
habe 10-13 und 18-20Uhr gesehen und war sehr beeindruckt
Nathan
130-3. Editing was so good. Moma can fuck off tho
130-3. Editing was so good. Moma can fuck off tho
Julia
238/340 WAHOOO
238/340 WAHOOO
Skipp
10.0★ · 02/07/25
I watched from 3:35 to 4:15pm, or the minimum for a film to be considered a feature.
I finally saw it.
My cousin had invited me into the big city - New York City - for a stage show. We had some time to kill, I realized, and I had heard this was going to be looping at the MOMA, not too far from where the stage show was going to be. I explained what I was thinking and asked if we could go see even a chunk of it.
“Sure,” he said.
So I got to see a chunk of an elusive film. Even forty minutes was enough for me to see the vision and meaning behind Marclay’s piece. The Clock is extraordinary both in concept and execution; the editing is so tight I’m astonished at how seamless it goes from a film made twenty years ago to a film made seventy. Even the sound editing is phenomenal; every effort made in this production was well spent in its creation. Time passes and you don’t even process it the way you normally process time passing. We come back and forth to scenes we may never see again; it’s as if you’re watching the whole world.
You must see it if you get a chance. I know I want to go again.
I watched from 3:35 to 4:15pm, or the minimum for a film to be considered a feature.
I finally saw it.
My cousin had invited me into the big city - New York City - for a stage show. We had some time to kill, I realized, and I had heard this was going to be looping at the MOMA, not too far from where the stage show was going to be. I explained what I was thinking and asked if we could go see even a chunk of it.
“Sure,” he said.
So I got to see a chunk of an elusive film. Even forty minutes was enough for me to see the vision and meaning behind Marclay’s piece. The Clock is extraordinary both in concept and execution; the editing is so tight I’m astonished at how seamless it goes from a film made twenty years ago to a film made seventy. Even the sound editing is phenomenal; every effort made in this production was well spent in its creation. Time passes and you don’t even process it the way you normally process time passing. We come back and forth to scenes we may never see again; it’s as if you’re watching the whole world.
You must see it if you get a chance. I know I want to go again.
