The Magician backdrop
The Magician logo
2005·Comedy·1h 25m
7.1
Following the dealings of Melbourne-based hitman Ray as seen through the eyes of his ex-neighbour and friend Max, an Italian film student. Max and his camera witness Ray's work life as it unfolds from day to day, giving an insight into a world we rarely see, and at the same time developing an unusual friendship with his subject.
Directed by Scott Ryan
hitman
mockumentary
found footage

Cast

Scott Ryan
Scott Ryan
Ray Shoesmith

Crew

Scott Ryan
Scott Ryan
Director
Scott Ryan
Scott Ryan
Writer
Nash Edgerton
Nash Edgerton
Editor
Michele Bennett
Michele Bennett
Producer
Nash Edgerton
Nash Edgerton
Producer
Scott Ryan
Scott Ryan
Producer
Michael Gracey
Michael Gracey
Visual Effects Supervisor

Popular Reviews

22 reviews
mason
mason
The Magician
this is so great, it's absolutely hilarious (for good reasons) and incredibly enjoyable. It obviously doesn't line up with the actual show for a plethora of reasons but it's real good fun. Mr Inbetween is quite a lot better -- this works well as a concept / early stage idea. Was grinning ear to ear the entire time, the sarky banter between Ray & Max was a riot.
I don't even like found footage much but this was great.

Makes me want to rewatch Mr Inbetween !!!

poster is so cool too
funnier than most comedies
this is so great, it's absolutely hilarious (for good reasons) and incredibly enjoyable. It obviously doesn't line up with the actual show for a plethora of reasons but it's real good fun. Mr Inbetween is quite a lot better -- this works well as a concept / early stage idea. Was grinning ear to ear the entire time, the sarky banter between Ray & Max was a riot.
I don't even like found footage much but this was great.

Makes me want to rewatch Mr Inbetween !!!

poster is so cool too
funnier than most comedies
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Aiden Deighton
Aiden Deighton
The Magician
Door deze film is de serie Mr. Inbetween ontstaan; een serie die ik een tijdje geleden heb gezien en volgens mij oprecht een meesterwerk is!

Alhoewel The Magician niet zo goed is als de serie, is ook deze zeker het kijken waard. Leuk als je nog wat meer wilt zien over Ray Shoesmith
Door deze film is de serie Mr. Inbetween ontstaan; een serie die ik een tijdje geleden heb gezien en volgens mij oprecht een meesterwerk is!

Alhoewel The Magician niet zo goed is als de serie, is ook deze zeker het kijken waard. Leuk als je nog wat meer wilt zien over Ray Shoesmith
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Lachlan Barnes
Lachlan Barnes
The Magician
Really good prototype for what would become an amazing show “mr Inbetween” really nice to see a local film shot in Melbourne aswell! I strongly recommend the show and movie as they are both awesome Melbourne based Australian media that deserves all the Recognition they can both get! Check this out it is really short and free on YouTube!

Mr inbetween S1= 8/10Mr inbetween S2= 9/10Mr inbetween S3=  Strong 9/10
Really good prototype for what would become an amazing show “mr Inbetween” really nice to see a local film shot in Melbourne aswell! I strongly recommend the show and movie as they are both awesome Melbourne based Australian media that deserves all the Recognition they can both get! Check this out it is really short and free on YouTube!

Mr inbetween S1= 8/10Mr inbetween S2= 9/10Mr inbetween S3=  Strong 9/10
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Will Collister
Will Collister
The Magician
“A bloke — I’d feel pretty weird about sleeping naked.”
“I gave you my undies, so shut the fuck up.”
“I appreciate that. I’m indebted to you for that. You sleep however you want.”

When Ray forces his victims into following his direction, they begrudgingly go along with a semi-confused look dampened by the vague understanding that resisting arrest would be a poor choice. Audiences watch The Magician, equally semi-confused, with a vague understanding that resisting the film would also be a poor choice.

There is a lot that I love about this movie. The editing is non-chronological, surrounding a plot based on two interactions; one with a man who Ray is forcing to leave town, another with a man Ray has been tasked to kill. Because of this bare-bones plot, the jump-cut editing creates a style of storytelling that surrounds the character of Ray and the environment which defines him, rather than a story based on it’s events. Mockumentary works perfectly, as well. Ray and his cameraman, as well as those around them, slowly become more comfortable with each other, allowing us to peer into the perspectives of Australia’s criminal underworld. Drug dealers, hit men, and thieves are reduced from their fearsome status to laymen through the almost unscripted dialogue. The comedy is perfect: dry as a bone but clearly intentional. Much of it relies on hypotheticals about eating bowls of feces or the gay community, but it is always punctuated with a jarring reminder that this is a film about crime. Benny’s last words allude to him using his jacket to wipe his ass, only for him to then be shot mercilessly - to which Max, our cameraman, calmly replies “ah.”

It prompts a discussion of the dangers of drugs, the ethics of criminality, and the dark underbelly of modern society. Benny’s murder is justified by Ray - he explains that a death without suffering or fear is greater than a death with them, given that the death itself was inevitable. When a title card eulogizes Benny’s death, however, it reads:
Benjamin Thomas Mason, 1978-2004
To date no one has reported him missing.

It is not a critique of the criminals. It is a critique of the societal forces that produce them. Legalization of hard drugs, with the intention of therefore reducing crime, was a massively progressive stance to take in 2004. The notion that these low-level criminals would be remotely relatable is an incredible perspective, and I believe that Scott Ryan has an awe-inspiring ability to critically analyze that which plagues much of our modern society.

The film is very funny. It is edited and shot exactly how it should be. Most of all, it tackles dense, dark themes in a way that, as far as I know, has never been done before. It aptly deserves it’s cult status, and should very well be recognized as a hidden gem that, at all costs, should not be resisted.

You can find it for free on YouTube under Brian Bella’s account. It’s 360p, the dialogue barely matches up, and several frames blend into one another. I promise you, none of that will matter. Watch this movie.
“A bloke — I’d feel pretty weird about sleeping naked.”
“I gave you my undies, so shut the fuck up.”
“I appreciate that. I’m indebted to you for that. You sleep however you want.”

When Ray forces his victims into following his direction, they begrudgingly go along with a semi-confused look dampened by the vague understanding that resisting arrest would be a poor choice. Audiences watch The Magician, equally semi-confused, with a vague understanding that resisting the film would also be a poor choice.

There is a lot that I love about this movie. The editing is non-chronological, surrounding a plot based on two interactions; one with a man who Ray is forcing to leave town, another with a man Ray has been tasked to kill. Because of this bare-bones plot, the jump-cut editing creates a style of storytelling that surrounds the character of Ray and the environment which defines him, rather than a story based on it’s events. Mockumentary works perfectly, as well. Ray and his cameraman, as well as those around them, slowly become more comfortable with each other, allowing us to peer into the perspectives of Australia’s criminal underworld. Drug dealers, hit men, and thieves are reduced from their fearsome status to laymen through the almost unscripted dialogue. The comedy is perfect: dry as a bone but clearly intentional. Much of it relies on hypotheticals about eating bowls of feces or the gay community, but it is always punctuated with a jarring reminder that this is a film about crime. Benny’s last words allude to him using his jacket to wipe his ass, only for him to then be shot mercilessly - to which Max, our cameraman, calmly replies “ah.”

It prompts a discussion of the dangers of drugs, the ethics of criminality, and the dark underbelly of modern society. Benny’s murder is justified by Ray - he explains that a death without suffering or fear is greater than a death with them, given that the death itself was inevitable. When a title card eulogizes Benny’s death, however, it reads:
Benjamin Thomas Mason, 1978-2004
To date no one has reported him missing.

It is not a critique of the criminals. It is a critique of the societal forces that produce them. Legalization of hard drugs, with the intention of therefore reducing crime, was a massively progressive stance to take in 2004. The notion that these low-level criminals would be remotely relatable is an incredible perspective, and I believe that Scott Ryan has an awe-inspiring ability to critically analyze that which plagues much of our modern society.

The film is very funny. It is edited and shot exactly how it should be. Most of all, it tackles dense, dark themes in a way that, as far as I know, has never been done before. It aptly deserves it’s cult status, and should very well be recognized as a hidden gem that, at all costs, should not be resisted.

You can find it for free on YouTube under Brian Bella’s account. It’s 360p, the dialogue barely matches up, and several frames blend into one another. I promise you, none of that will matter. Watch this movie.
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Meggy
Meggy
The Magician
Firstly yes Mr Inbetween is a must-watch show. One of the most underrated and best shows to come up in recent years, can't not recommend it enough all seasons are magnifico with perfect pacing, action, and, drama & humor. As for Ray Shoesmith's first appearance, The Magician is a very charming watch, you can definitely see the skeleton of Ray's character and how much flesh the show would give him. Love me an actually good & fun low-budget movie. Less is more with the magician. The natural acting with just the right amount of fun banter and philosophies makes Scott Ryan's work so appealing and enjoyable.
Firstly yes Mr Inbetween is a must-watch show. One of the most underrated and best shows to come up in recent years, can't not recommend it enough all seasons are magnifico with perfect pacing, action, and, drama & humor. As for Ray Shoesmith's first appearance, The Magician is a very charming watch, you can definitely see the skeleton of Ray's character and how much flesh the show would give him. Love me an actually good & fun low-budget movie. Less is more with the magician. The natural acting with just the right amount of fun banter and philosophies makes Scott Ryan's work so appealing and enjoyable.
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